| vocals |
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1990-06-18 – 1990-06-22 | Don Giovanni: Scena I. Introduzione “La gran bestia è il mio padrone!” | soprano vocals [Donna Anna] | Ferruccio Furlanetto, Elzbieta Szmytka, Douglas Johnson | 3:10 |
1990-06-18 – 1990-06-22 | Don Giovanni: Scena ultima. “Qual strepito è questo” | soprano vocals [Maturina] | Helmut Wildhaber, Elzbieta Szmytka, Luciana Serra, Edith Schmid‐Lienbacher, Carlo Allemano | 6:17 |
1990-06-18 – 1990-06-22 | Don Giovanni: Scena XI. Cavatina con coro “Bella cosa per una ragazza” | soprano vocals [Maturina] | Elzbieta Szmytka, Ferruccio Furlanetto, Kammerchor Stuttgart, Jeanne Lamon | 3:18 |
1990-06-18 – 1990-06-22 | Don Giovanni: Scena XIV. Aria “Se pur degna voi mi fate” | soprano vocals [Maturina] | Elzbieta Szmytka | 3:47 |
1990-06-18 – 1990-06-22 | Don Giovanni: Scena XVIII. Duetto “Per quanto ben ti guardo” | soprano vocals [Maturina] | Luciana Serra, Elzbieta Szmytka | 5:54 |
1992-07 – 1992-08 | From the House of the Dead: Act I. “Aljeja, podávej nitku” (Luka, Aljeja, chorus, Old Prisoner) | soprano vocals [Aljeja] | Konzertvereinigung Wiener Staatsopernchor, Barry McCauley, Elzbieta Szmytka, Josef Veverka, Wiener Philharmoniker, Claudio Abbado | 6:50 |
1992-07 – 1992-08 | From the House of the Dead: Act II. “Mil'y, mil'y, Aljeja” (Voice, Gorjančikov, Aljeja, chorus, Cook, Priest, Skuratov, Čekunov, Drunken Prisoner) | soprano vocals [Aljeja] | Nicolaï Ghiaurov, Ulrich Grossrubatscher, Pavel Kamas, Konzertvereinigung Wiener Staatsopernchor, Philip Langridge, Andrea Rost, Elzbieta Szmytka, Franz Wimmer, Walter Zeh, Wiener Philharmoniker, Claudio Abbado | 5:40 |
1992-07 – 1992-08 | From the House of the Dead: Act II. “Pĕknĕ hráli, co?” (Aljeja, Young Prisoner, Prostitute, chorus, Šapkin, Old Prisoner, Luka, Short Prisoner, Gorjančikov, Tall Prisoner, Čekunov) | soprano vocals [Aljeja] | Nicolaï Ghiaurov, Pavel Kamas, Konzertvereinigung Wiener Staatsopernchor, Štefan Margita, Barry McCauley, Bojidar Nikolov, Richard Novák, Elzbieta Szmytka, Josef Veverka, Christiane Young, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado | 5:05 |
1992-07 – 1992-08 | From the House of the Dead: Act III. “Hou, hou” - “Petroviči!” (chorus, Commandant, Gorjančikov, Aljeja, Čerevin) | soprano vocals [Aljeja] | Nicolaï Ghiaurov, Konzertvereinigung Wiener Staatsopernchor, Miroslav Kopp, Harry Peeters, Elzbieta Szmytka, Wiener Philharmoniker, Claudio Abbado | 5:38 |
1992-07 – 1992-08 | From the House of the Dead: Act III. “Isaj, prorok boži” (Aljeja, Gorjančikov, Čekunov, Luka, Old Prisoner, Šapkin, chorus, Tall Prisoner, Skuratov) | soprano vocals [Aljeja] | Nicolaï Ghiaurov, Pavel Kamas, Konzertvereinigung Wiener Staatsopernchor, Philip Langridge, Barry McCauley, Bojidar Nikolov, Elzbieta Szmytka, Josef Veverka, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado | 5:33 |
1992-08 | From the House of the Dead: Act I. “Aljeja, podávej nitku” (Luka, Aljeja, Prisoners' Chorus, Old Prisoner) | soprano vocals [Aljeja] | Leoš Janáček | 6:52 |
1992-08 | From the House of the Dead: Act II. “Mil'y, mil'y, Aljejo” (A Voice, Gorjančikov, Aljeja, Prisoners' Chorus, the Cook, the Priest, Skuratov, Čekunov, Drunken Prisoner) | soprano vocals [Aljeja] | Leoš Janáček | 5:25 |
1992-08 | From the House of the Dead: Act II. “Pĕknĕ hráli, co?” (Aljeja, Young Prisoner, Prostitute, Prisoners' Chorus, Šapkin, Old Prisoner, Luka, Short Prisoner, Gorjančikov, Tall Prisoner, Čekunov) | soprano vocals [Aljeja] | Leoš Janáček | 5:01 |
1992-08 | From the House of the Dead: Act III. “Hou, Hou” - “Petroviči!” (Prisoners' Chorus, Commandant, Gorjančikov, Aljeja, Čerevin) | soprano vocals [Aljeja] | Leoš Janáček | 5:13 |
1992-08 | From the House of the Dead: Act III. “Isaj, prorok boži” (Aljeja, Gorjančikov, Čekunov, Luka, Old Prisoner, Šapkin, Prisoners' Chorus, Tall Prisoner, Skuratov) | soprano vocals [Aljeja] | Leoš Janáček | 6:08 |
1993-04-03 – 1993-04-04 | Litany to the Virgin Mary, op. 59: I. Dwunastodzwieczna cytaro | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 3:26 |
1993-04-03 – 1993-04-04 | Litany to the Virgin Mary, op. 59: II. Jak krzak skarlaly | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 4:35 |
1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa) | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 6:11 |
1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret) | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 2:25 |
1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris) | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 3:51 |
1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere) | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 3:02 |
1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare) | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 2:54 |
1993-04-03 – 1993-04-04 | Stabat Mater: VI. Chrystus niech mi bedzie grodem | soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 4:57 |
1995-07-17 – 1995-07-19 | Good Night, requiem for soprano, alto flute, 3 tam-tams and piano, Op. 63: I. Lento (Adagio) - Tranquillo | soprano vocals | Elzbieta Szmytka, Paul Edmund-Davies, Mireille Gleizes, Huub Righarts, I Fiamminghi, Rudolf Werthen | 6:29 |
1995-07-17 – 1995-07-19 | Good Night, requiem for soprano, alto flute, 3 tam-tams and piano, Op. 63: I. Lento tranquillissimo - cantabilissimo | soprano vocals | Elzbieta Szmytka, Paul Edmund-Davies, Mireille Gleizes, Huub Righarts, I Fiamminghi, Rudolf Werthen | 10:07 |
1995-07-17 – 1995-07-19 | Good Night, requiem for soprano, alto flute, 3 tam-tams and piano, Op. 63: III. Lento - largo; Dolcissimo - Cantabilissimo | soprano vocals | Elzbieta Szmytka, Paul Edmund-Davies, Mireille Gleizes, Huub Righarts, I Fiamminghi, Rudolf Werthen | 8:17 |
| "Welche Wonne, weiche Lust" from The Abduction from the Seraglio, K.384 | soprano vocals | Elzbieta Szmytka, Wiener Symphoniker, Bruno Weil | 2:36 |
| Czary, B. 51 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:14 |
| Dumka, B. 132 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 1:15 |
| Dwojaki koniec, Op. 74 No. 11 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 1:56 |
| Gdzie lubi, Op. 74 No. 5 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 1:23 |
| Hulanka, Op. 74 No. 4 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:32 |
| La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta) | soprano vocals | Elzbieta Szmytka, Academy of St Martin in the Fields, Sir Neville Marriner | 3:02 |
| Melodia, Op. 74 No. 9 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:18 |
| Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene) | soprano vocals | Elzbieta Szmytka, Academy of St Martin in the Fields, Sir Neville Marriner | 5:10 |
| Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia) | soprano vocals | Elzbieta Szmytka, Edith Wiens, Academy of St Martin in the Fields, Sir Neville Marriner | 8:33 |
| Moja pieszczotka, Op. 74 No. 12 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 1:54 |
| Narzeczony, Op. 74 No. 15 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:00 |
| Nie ma czego trzeba, Op. 74 No. 13 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 3:42 |
| Pierścień, Op. 74 No. 14 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 1:32 |
| Piosnka litewska, Op. 74 No. 16 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:33 |
| Poseł, Op. 74 No. 7 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 3:01 |
| Precz z moich oczu, Op. 74 No. 6 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 3:21 |
| Rural Scenes: Change of Heart | soprano vocals | Philharmonia Chorus, Elzbieta Szmytka, Philharmonia Orchestra, Gary Brain | 3:32 |
| Śliczny chłopiec, Op. 74 No. 8 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:24 |
| Smutna rzeka, Op. 74 No. 3 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 3:14 |
| Śpiew z mogiły, Op. 74 No. 17 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 4:16 |
| Wiosna, Op. 74 No. 2 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:45 |
| Wojak, Op. 74 No. 10 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 2:26 |
| Życzenie, Op. 74 No. 1 | soprano vocals | Elzbieta Szmytka, Malcolm Martineau | 1:51 |
| vocals |
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| Il Matrimonio segreto | soprano vocals | Domenico Cimarosa; Orchestre de Chambre de Lausanne, Jesús López Cobos | |