| Benvenuto Cellini, op. 23: Overture | | | | Overture | | | |
| Broken Chords | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto | | | | | | | |
| Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | | | | | | | |
| Concerto for Piano and Orchestra: I. Allegro deciso | | | | | | | |
| Concerto for Piano and Orchestra: II. Senzo rigore | | | | | | | |
| Concerto for Piano and Orchestra: III. Allegro frenetico | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | | | | | |
| Das Rheingold: Scene I. Vorspiel | | | | | | | |
| Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds | | | | | | | |
| Excerpt from Götterdämmerung, WWV 86D: Vorspiel: Siegfrieds Rheinfahrt | | | | | | | |
| Fantasia on a Theme by Thomas Tallis | | | | | | | |
| Gaspard de la nuit: I. Ondine | | | | | | | |
| Gaspard de la nuit: II. Le Gibet | | | | | | | |
| Gaspard de la nuit: III. Scarbo | | | | | | | |
| L’Isle joyeuse, L. 106 | | | | | | | |
| La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” | | - Orchestre philharmonique de l’ORTF, Philharmonia Slavonica, ORF-Symphonic Orchestra, Loic Bertrand, Milan Horvat, Alexander von Pitamic, Alfred Scholz
- Karlheinz Zöller, Berliner Philharmoniker, Herbert von Karajan
- Boston Symphony Orchestra, Charles Munch
- Chicago Symphony Orchestra, Fritz Reiner
- (show 134 more)
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| La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” | | | | | | | |
| La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : I. Introduction | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : II. Les Augures printaniers – Danses des adolescentes | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : III. Jeu du rapt | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : IV. Rondes printanières | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : V. Jeux des cités rivales | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : VI. Cortège du Sage | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : VII. Le Sage | | | | | | | |
| Le Sacre du printemps : I. L’Adoration de la terre : VIII. Danse de la terre | | | | | | | |
| Le Sacre du printemps : II. Le Sacrifice : I. Introduction | | | | | | | |
| Le Sacre du printemps : II. Le Sacrifice : II. Cercles mystérieux des adolescentes | | | | | | | |
| Le Sacre du printemps : II. Le Sacrifice : III. Glorification de l’élue | | | | | | | |
| Le Sacre du printemps : II. Le Sacrifice : IV. Evocation des ancêtres | | | | | | | |
| Le Sacre du printemps : II. Le Sacrifice : V. Action rituelle des ancêtres | | | | | | | |
| Le Sacre du printemps : II. Le Sacrifice : VI. Danse sacrale (L’Élue) | | | | | | | |
| Les Animaux modèles, FP 111: I. Le Petit Jour | | | | | | | |
| Les Animaux modèles, FP 111: II. L'ours et les deux compagnons. Très animé | | | | | | | |
| Les Animaux modèles, FP 111: III. La Cigale et la Fourmi | | | | | | | |
| Les Animaux modèles, FP 111: IV. Le Lion Amoureux | | | | | | | |
| Les Animaux modèles, FP 111: V. L'Homme entre deux âges et ses deux maîtresses | | | | | | | |
| Les Animaux modèles, FP 111: VI. La Mort et le Bûcheron | | | | | | | |
| Les Animaux modèles, FP 111: VII. Les Deux Coqs | | | | | | | |
| Les Animaux modèles, FP 111: VIII. Le Repas de Midi | | | | | | | |
| Pelléas et Mélisande, op. 80: I. Prélude | | | | | | | |
| Pelléas et Mélisande, op. 80: II. Fileuse | | | | | | | |
| Pelléas et Mélisande, op. 80: III. Sicilienne | | | | | | | |
| Pelléas et Mélisande, op. 80: IV. La Mort de Mélisande | | | | | | | |
| Pelleas und Melisande, op. 5 | | | | Symphonic poem | | | |
| Piano Concerto in G minor, op. 33, B. 63: I. Allegro agitato | | | | | | | |
| Piano Concerto in G minor, op. 33, B. 63: II. Andante sostenuto | | | | | | | |
| Piano Concerto in G minor, op. 33, B. 63: III. Finale: Allegro con fuoco | | | | | | | |
| Scheherazade, op. 35: I. The Sea and Sinbad’s Ship | | | | | | | |
| Scheherazade, op. 35: II. The Kalendar Prince | | - Berliner Festspielorchester, Radio Symphony Orchestra Ljubljana, Soviet State Orchestra, Alexander Gavostov, Anton Nanut, Vladimir Petroschoff
- Chicago Symphony Orchestra, Fritz Reiner
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa
- (show 109 more)
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| Scheherazade, op. 35: III. The Young Prince and the Young Princess | | | | | | | |
| Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman | | | | | | | |
| Sinfonietta pour orchestre, FP 141: I. Allegro con fuoco | | | | | | | |
| Sinfonietta pour orchestre, FP 141: II. Molto vivace | | | | | | | |
| Sinfonietta pour orchestre, FP 141: III. Andante cantabile | | | | | | | |
| Sinfonietta pour orchestre, FP 141: IV. Finale. Prestissimo et très gai | | | | | | | |
| Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig | | | | | | | |
| Symphonie Nr. 6 in a-Moll: II. Andante moderato | | | | | | | |
| Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig | | | | | | | 5 |
| Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato | | | | | | | |
| Symphony no. 1 for Organ and Orchestra, op. 42: I. Introduction. Largo e maestoso - Allegro | | | | | | | |
| Symphony no. 1 for Organ and Orchestra, op. 42: II. Pastorale. Andante quasi allegretto | | - BBC Philharmonic, Yan Pascal Tortelier, Ian Tracey
- Simon Preston, Adelaide Symphony Orchestra, Nicholas Braithwaite
- Edgar Krapp, Bamberger Symphoniker, Vladimir Fedoseyev
- Iveta Apkalna, Duisburger Philharmoniker, Jonathan Darlington
- Franz Hauk, The Ingolstadt Philharmonic, Olaf Koch
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| Symphony no. 1 for Organ and Orchestra, op. 42: III. Finale. Allegro assai | | | | | | | |
| Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) | | | | | | | |
| Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz | | | | | | | |
| Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | | | | | | | |
| Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | | | | | | | |
| Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch | | | | | | | |
| Symphony no. 15 in A major, op. 141: I. Allegretto | | | | | | | |
| Symphony no. 15 in A major, op. 141: II. Adagio | | | | | | | |
| Symphony no. 15 in A major, op. 141: III. Allegretto | | | | | | | |
| Symphony no. 15 in A major, op. 141: IV. Adagio | | | | | | | |
| Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: I. Allegro con spirito | | | | | | | |
| Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: II. Andante | | | | | | | |
| Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: III. Minuetto & Trio | | | | | | | |
| Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: IV. Presto | | | | | | | |
| The Typewriter | | | | | | | 5 |
