| arranged |
---|
| Amaryllis Suite: No. 5. Sarabande | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 3:25 |
| Appalachia: [Introduction I.] Molto moderato – Tranquillo | | | Frederick Delius | 3:48 |
| Appalachia: [Introduction I.] Molto moderato – Tranquillo – | | | BBC Symphony Orchestra, Sir Andrew Davis | 3:48 |
| Appalachia: [Introduction II.] Poco più vivo ma moderato | | | Frederick Delius | 2:13 |
| Appalachia: [Introduction II.] Poco più vivo ma moderato – | | | BBC Symphony Orchestra, Sir Andrew Davis | 2:13 |
| Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso | | | The BBC Symphony Chorus, BBC Symphony Orchestra, Sir Andrew Davis | 7:52 |
| Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso | | | Frederick Delius | 7:52 |
| Appalachia: [Theme.] Andante | | | Frederick Delius | 0:29 |
| Appalachia: [Theme.] Andante – | | | BBC Symphony Orchestra, Sir Andrew Davis | 0:29 |
| Appalachia: [Variation I.] Un poco più – Moderato | | | Frederick Delius | 0:45 |
| Appalachia: [Variation I.] Un poco più – Moderato – | | | BBC Symphony Orchestra, Sir Andrew Davis | 0:45 |
| Appalachia: [Variation II.] Più vivo | | | Frederick Delius | 1:00 |
| Appalachia: [Variation II.] Più vivo – | | | BBC Symphony Orchestra, Sir Andrew Davis | 1:00 |
| Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) | | | Frederick Delius | 4:09 |
| Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) – | | | BBC Symphony Orchestra, Sir Andrew Davis | 4:09 |
| Appalachia: [Variation IV.] Con moto – Un poco più tranquillo | | | Frederick Delius | 0:53 |
| Appalachia: [Variation IV.] Con moto – Un poco più tranquillo – | | | BBC Symphony Orchestra, Sir Andrew Davis | 0:53 |
| Appalachia: [Variation IX.] Allegro alla marcia – Adagio | | | Frederick Delius | 1:42 |
| Appalachia: [Variation IX.] Allegro alla marcia – Adagio – | | | BBC Symphony Orchestra, Sir Andrew Davis | 1:42 |
| Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo | | | Frederick Delius | 2:42 |
| Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo – | | | BBC Symphony Orchestra, Sir Andrew Davis | 2:42 |
| Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno | | | Frederick Delius | 4:10 |
| Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno – | | | BBC Symphony Orchestra, Sir Andrew Davis | 4:10 |
| Appalachia: [Variation VII.] Andante con grazia – Calando | | | Frederick Delius | 1:38 |
| Appalachia: [Variation VII.] Andante con grazia – Calando – | | | BBC Symphony Orchestra, Sir Andrew Davis | 1:38 |
| Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I | | | Frederick Delius | 2:50 |
| Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I – | | | BBC Symphony Orchestra, Sir Andrew Davis | 2:50 |
| Appalachia: [Variation X.] Marcia. Molto lento maestoso | | | Frederick Delius | 1:34 |
| Appalachia: [Variation X.] Marcia. Molto lento maestoso – | | | BBC Symphony Orchestra, Sir Andrew Davis | 1:34 |
| Hassan: Serenade | | | Adelaide Symphony Orchestra, Ron Spigelman | 2:11 |
| Intermezzo from ‘Fennimore and Gerda’ | | | Bournemouth Sinfonietta, Norman Del Mar | 5:29 |
| Solomon: Arrival of the Queen of Sheba | | | New Philharmonia Orchestra, Sir Arthur Bliss | 2:59 |
| The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation | | | Frederick Delius | 9:27 |
| The Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation – | | | The BBC Symphony Chorus, BBC Symphony Orchestra, Sir Andrew Davis | 9:27 |
| The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow | | | Frederick Delius | 7:24 |
| The Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow | | | The BBC Symphony Chorus, BBC Symphony Orchestra, Sir Andrew Davis | 7:24 |
| The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato | | | Frederick Delius | 11:45 |
| The Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato – | | | Olivia Robinson, Christopher Bowen, Andrew Rupp, The BBC Symphony Chorus, BBC Symphony Orchestra, Sir Andrew Davis | 11:45 |
| Walk to the Paradise Garden | Thomas Beecham | | The Philharmonia Orchestra, Owain Arwel Hughes | 12:05 |
| Zémire et Azor: Pantomine and Finale | | | Richard Hickox Orchestra, Richard Hickox | 5:16 |
| Zémire et Azor: Pantomine and Finale [excerpt] | | | Richard Hickox Orchestra, Richard Hickox | 3:33 |
| conducted |
---|
1927-12-19 | Two Pieces for Orchestra: I. On Hearing the First Cuckoo in Spring | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 6:25 |
1927-12-19 – 1927-12-20 | A Village Romeo and Juliet: The Walk to the Paradise Garden | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 7:14 |
1927 | The Messiah: Overture | | | BBC Choir Symphony Orchestra, Sir Thomas Beecham | 3:58 |
1928-07-12 | Two Pieces for Orchestra: II. Summer Night on the River | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 5:26 |
1928-12-11 – 1929-07-10 | Brigg Fair: An English Rhapsody | | | Beecham Symphony Orchestra, Sir Thomas Beecham | 13:49 |
1932-04-07 | Don Quixote, Op. 35: Finale: Sehr ruhig. ''Don Quixotes Tod'' | | | New York Philharmonic, Sir Thomas Beecham | 4:34 |
1932-04-07 | Don Quixote, Op. 35: Introduktion: Mäßiges Zeitmaß | | | New York Philharmonic, Sir Thomas Beecham | 6:15 |
1932-04-07 | Don Quixote, Op. 35: Maggiore: ''Sancho Panza'' | | | New York Philharmonic, Sir Thomas Beecham | 1:05 |
1932-04-07 | Don Quixote, Op. 35: Thema: Mäßig. ''Der Ritter von der traurigen Gestalt'' | | | New York Philharmonic, Sir Thomas Beecham | 0:56 |
1932-04-07 | Don Quixote, Op. 35: Variation I: Gemächlich. ''Das Abenteuer an den Windmühlen'' | | | New York Philharmonic, Sir Thomas Beecham | 2:28 |
1932-04-07 | Don Quixote, Op. 35: Variation II: Kriegerisch. ''Der Kampf gegen die Hammelherde'' | | | New York Philharmonic, Sir Thomas Beecham | 1:34 |
1932-04-07 | Don Quixote, Op. 35: Variation III: Mäßiges Zeitmaß. ''Gespräche zwischen Ritter und Knappe'' | | | New York Philharmonic, Sir Thomas Beecham | 7:38 |
1932-04-07 | Don Quixote, Op. 35: Variation IV: Etwas breiter. ''Das Abenteuer mit der Prozession von Büßern'' | | | New York Philharmonic, Sir Thomas Beecham | 1:58 |
1932-04-07 | Don Quixote, Op. 35: Variation IX: Schnell und stürmisch. ''Der Kampf gegen die vermeintlichen Zauberer'' | | | New York Philharmonic, Sir Thomas Beecham | 1:06 |
1932-04-07 | Don Quixote, Op. 35: Variation V: Sehr langsam. ''Don Quixotes Waffenwache und Herzensergüsse'' | | | New York Philharmonic, Sir Thomas Beecham | 4:02 |
1932-04-07 | Don Quixote, Op. 35: Variation VI: Schnell. ''Die verzauberte Dulzinea'' | | | New York Philharmonic, Sir Thomas Beecham | 1:09 |
1932-04-07 | Don Quixote, Op. 35: Variation VII: Ein wenig ruhiger als vorher. ''Der Ritt durch die Luft'' | | | New York Philharmonic, Sir Thomas Beecham | 1:01 |
1932-04-07 | Don Quixote, Op. 35: Variation VIII: Gemächlich. ''Die Fahrt auf dem verzauberten Nachen'' | | | New York Philharmonic, Sir Thomas Beecham | 1:45 |
1932-04-07 | Don Quixote, Op. 35: Variation X: Viel breiter. ''Zweikampf mit dem Ritter vom blanken Monde - Heimkehr des geschlagenen Don Quixote'' | | | New York Philharmonic, Sir Thomas Beecham | 3:54 |
1933-05-06 | La scala di seta: Overture | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:23 |
1934-01-19 | Symphony no. 41 in C major, KV 551 "Jupiter": I. Allegro vivace | | | London Philharmonic Orchestra, Sir Thomas Beecham | 8:15 |
1934-01-19 | Symphony no. 41 in C major, KV 551 "Jupiter": II. Andante cantabile | | | London Philharmonic Orchestra, Sir Thomas Beecham | 8:16 |
1934-01-19 | Symphony no. 41 in C major, KV 551 "Jupiter": III. Menuetto & Trio | | | London Philharmonic Orchestra, Sir Thomas Beecham | 4:28 |
1934-01-19 | Symphony no. 41 in C major, KV 551 "Jupiter": IV. Molto allegro | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:09 |
1934-04-09 – 1934-04-22 | Paris ("Ein Nachtstück") (The Song of a Great City) | | | London Philharmonic Orchestra, Sir Thomas Beecham | 21:37 |
1934-10-03 | Israel in Egypt: But as for His People | | | Leeds Festival Chorus, London Philharmonic Orchestra, Sir Thomas Beecham | 4:34 |
1934-10-03 | Israel in Egypt: Moses Song: Moses and the Children of Israel | | | Leeds Festival Chorus, London Philharmonic Orchestra, Sir Thomas Beecham | 4:15 |
1934-10-03 | Israel in Egypt: The Lord is a Man of War | | | Leeds Festival Chorus, London Philharmonic Orchestra, Sir Thomas Beecham | 5:07 |
1934-10-03 | Mass in C minor, K. 427: Kyrie | | | Dora Labbette, Leeds Festival Chorus, London Philharmonic Orchestra, Sir Thomas Beecham | 5:52 |
1934-10-03 | Mass in C minor, K. 427: Qui tollis | | | Leeds Festival Chorus, London Philharmonic Orchestra, Sir Thomas Beecham | 4:09 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Berceuse | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:59 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Caliban's Song | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:23 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Canon | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:30 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Dance of Nymphs | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:21 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Humoresque | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:02 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Intrada | | | London Philharmonic Orchestra, Sir Thomas Beecham | 0:39 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Prelude | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:01 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Prospero | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:34 |
1934-10-04 | The Tempest: Incidental Music, op. 109: Scene | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:21 |
1934-10-04 | The Tempest: Incidental Music, op. 109: The Oak Tree | | | London Philharmonic Orchestra, Sir Thomas Beecham | 2:54 |
1934-10-04 | The Tempest: Incidental Music, op. 109: The Storm | | | London Philharmonic Orchestra, Sir Thomas Beecham | 3:44 |
1934-10-05 | Prince Igor: Polovtsian Dance | | | London Philharmonic Orchestra, Sir Thomas Beecham | 10:42 |
1934-10-08 | Violin Concerto no. 4 in D major, K. 218: Andante | | | Joseph Szigeti, London Philharmonic Orchestra, Thomas Beecham | 8:24 |
1934-10-08 | Violin Concerto no. 4 in D major, K. 218: Rondo: Allegro | | | Joseph Szigeti, London Philharmonic Orchestra, Thomas Beecham | 7:38 |
1934-10-08 | Violinkonzert No. 4 D-Dur, KV 218: I. Allegro moderato | | | Joseph Szigeti, London Philharmonic Orchestra, Sir Thomas Beecham | 9:19 |
1934-10-20 | La gazza ladra: Overture | | | London Philharmonic Orchestra, Sir Thomas Beecham | 9:10 |
1934-10-20 | William Tell: Overture | | | London Philharmonic Orchestra, Sir Thomas Beecham | 11:54 |
1934-11-14 | Eventyr ("Once Upon a Time") | | | London Philharmonic Orchestra, Sir Thomas Beecham | 15:30 |
1934-12-04 – 1934-12-11 | Koanga: Closing Scene | | | London Philharmonic Orchestra, London Select Choir, Sir Thomas Beecham | 8:15 |
1934-12-11 | Hassan, Incidental Music: Interlude, Act I | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:48 |
1934-12-11 | Hassan, Incidental Music: Serenade | | | London Philharmonic Orchestra, Sir Thomas Beecham | 2:07 |
1935-03-22 – 1935-04-17 | “Rossiniana” Suite: I. Barcarolle and Siciliana (Capri e Taormina) | | | London Philharmonic Orchestra, Sir Thomas Beecham | 7:44 |
1935-03-22 – 1935-04-17 | “Rossiniana” Suite: II. Intermezzo | | | London Philharmonic Orchestra, Sir Thomas Beecham | 2:41 |
1935-03-22 – 1935-04-17 | “Rossiniana” Suite: III. Tarantella, (puro sangue) | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:38 |
1935-04-10 – 1936-02-28 | Symphony in E-flat major, Hob. I:99: I. Adagio, Vivace assai | | | London Philharmonic Orchestra, Sir Thomas Beecham | 7:22 |
1935-04-10 – 1936-02-28 | Symphony in E-flat major, Hob. I:99: II. Adagio | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:18 |
1935-04-10 – 1936-02-28 | Symphony in E-flat major, Hob. I:99: III. Menuet, Allegretto - Trio | | | London Philharmonic Orchestra, Sir Thomas Beecham | 5:17 |
1935-04-10 – 1936-02-28 | Symphony in E-flat major, Hob. I:99: IV. Finale: Vivace | | | London Philharmonic Orchestra, Sir Thomas Beecham | 4:37 |
1935-04-25 | Legend | | | London Philharmonic Orchestra, Sir Thomas Beecham | 4:23 |
1935-07-16 | Lohengrin: Prelude to Act III | | | London Philharmonic Orchestra, Sir Thomas Beecham | 2:55 |
1935-08-23 | Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: I. Andantino - Andante assai | | | Joseph Szigeti, London Philharmonic Orchestra, Sir Thomas Beecham | 9:14 |
1935-08-23 | Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: II. Vivacissimo | | | Joseph Szigeti, London Philharmonic Orchestra, Sir Thomas Beecham | 3:53 |
1935-08-23 | Konzert Nr. 1 für Violine und Orchester D-dur, Op. 19: III. Andante - Allegro moderato | | | Joseph Szigeti, London Philharmonic Orchestra, Sir Thomas Beecham | 7:12 |
1935-08-23 | Violin Concerto no. 1 in D major, op. 19: I. Andantino – Andante assai | | | Joseph Szigeti, London Philharmonic Orchestra, Sir Thomas Beecham | 9:16 |
1935-08-23 | Violin Concerto no. 1 in D major, op. 19: II. Vivacissimo | | | Joseph Szigeti, London Philharmonic Orchestra, Sir Thomas Beecham | 3:55 |
1935-08-23 | Violin Concerto no. 1 in D major, op. 19: III. Andante – Allegro moderato | | | Joseph Szigeti, London Philharmonic Orchestra, Sir Thomas Beecham | 7:20 |
1935-11-23 | La bohème: Atto III. “D’onde lieta uscì al tuo grido d’amore” | | | Lisa Perli, London Philharmonic Orchestra, Sir Thomas Beecham | 3:35 |
1935-11-23 | La bohème: Atto IV. “C’è Mimì, c’è Mimì” | | | Vincenzo Bettoni, Arthur Fear, Odette de Foras, Heddle Nash, Lisa Perli, London Philharmonic Orchestra, Sir Thomas Beecham | 2:57 |
1935-11-23 | La bohème: Atto IV. “Che ora sia! … L’ora del pranzo” | | | Vincenzo Bettoni, Arthur Fear, Heddle Nash, London Philharmonic Orchestra, Sir Thomas Beecham | 2:24 |
1935-11-23 | La bohème: Atto IV. “Dorme? … Riposa” | | | Arthur Fear, Odette de Foras, Heddle Nash, Lisa Perli, London Philharmonic Orchestra, Sir Thomas Beecham | 4:52 |
1935-11-23 | La bohème: Atto IV. “Gavotta … Minuetto … Pavanella” | | | Vincenzo Bettoni, Arthur Fear, Heddle Nash, London Philharmonic Orchestra, Sir Thomas Beecham | 1:41 |
1935-11-23 | La bohème: Atto IV. “Ho tanto freddo. Se avessi un manicotto” | | | Vincenzo Bettoni, Arthur Fear, Odette de Foras, Heddle Nash, Lisa Perli, London Philharmonic Orchestra, Sir Thomas Beecham | 2:35 |
1935-11-23 | La bohème: Atto IV. “In un coupè?” | | | Arthur Fear, Heddle Nash, London Philharmonic Orchestra, Sir Thomas Beecham | 1:23 |
1935-11-23 | La bohème: Atto IV. “Mi chiamano Mimì … il perchè non so” | | | Vincenzo Bettoni, Arthur Fear, Odette de Foras, Heddle Nash, Lisa Perli, London Philharmonic Orchestra, Sir Thomas Beecham | 3:15 |
1935-11-23 | La bohème: Atto IV. “O Mimì, tu più non torni” | | | Arthur Fear, Heddle Nash, London Philharmonic Orchestra, Sir Thomas Beecham | 3:07 |
1935-11-23 | La bohème: Atto IV. “Sono andati? Fingevo di dormire” | | | Heddle Nash, Lisa Perli, London Philharmonic Orchestra, Sir Thomas Beecham | 3:03 |
1935-11-23 | La bohème: Atto IV. “Vecchia zimarra” | | | Vincenzo Bettoni, London Philharmonic Orchestra, Sir Thomas Beecham | 2:20 |
1935-11-26 | Violin Concerto in D minor, op. 47: I. Allegro moderato | | | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | 14:22 |
1935-11-26 | Violin Concerto in D minor, op. 47: II. Adagio di molto | | | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | 6:50 |
1935-11-26 | Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | | | Jascha Heifetz, London Philharmonic Orchestra, Sir Thomas Beecham | 6:54 |
1935-12-14 | Scenes historiques I, op. 25: III. Festivo | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:57 |
1935-12-14 | Scènes historiques, op. 25 | | | London Philharmonic Orchestra, Sir Thomas Beecham | 7:01 |
1935 | Slavonic Rhapsody in A-flat major | | | London Philharmonic Orchestra, Sir Thomas Beecham | 13:16 |
1936-03-22 | Tragic Overture | | | London Philharmonic Orchestra, Sir Thomas Beecham | 12:25 |
1936-05-20 | Die Meistersinger von Nürnberg: II. Aufzug "Morgenlich leuchtend" (Torsten Ralf, Rudolf Bockelmann and Tiana Lemnitz,1936) | | | Rudolf Bockelmann, Tiana Lemnitz, Orchestra of the Royal Opera House, Covent Garden, Sir Thomas Beecham | 5:29 |
1936-05-29 | Götterdämmerung: II. Aufzug "Nun lass das Lachen" (Ludwig Weber, Herbert Janssen, 1936) | | | Chorus of the Royal Opera House, Covent Garden, Herbert Janssen, Ludwig Weber, London Philharmonic Orchestra, Sir Thomas Beecham | 4:21 |
1936-06-19 | Die Meistersinger: Prelude to Act I | | | London Philharmonic Orchestra, Sir Thomas Beecham | 9:04 |
1936-06-19 | Les Contes d'Hoffmann: Ah, Malheureux, Act III | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:42 |
1936-06-19 | Les Contes d'Hoffmann: Barcarolle, Act II | | | London Philharmonic Orchestra, Sir Thomas Beecham | 3:54 |
1936-06-19 | Les Contes d'Hoffmann: Entr'acte (Epilogue) | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:48 |
1936-06-19 | Les Contes d'Hoffmann: Intermezzo, Act I | | | London Philharmonic Orchestra, Sir Thomas Beecham | 1:29 |
1936-09-28 | Fennimore and Gerda: Intermezzo | | | London Philharmonic Orchestra, Sir Thomas Beecham | 4:30 |
1936-09-28 | Over the Hills and Far Away | | | London Philharmonic Orchestra, Sir Thomas Beecham | 13:29 |
1936-10-02 | In a Summer Garden | | | London Philharmonic Orchestra, Sir Thomas Beecham | 13:42 |
1936-10-06 | A Midsummer Night's Dream, Incidental Music, op. 61: Nocturne | | | London Philharmonic Orchestra, Sir Thomas Beecham | 5:06 |
1936-10-06 | A Midsummer Night's Dream, Incidental Music, op. 61: Wedding March | | | London Philharmonic Orchestra, Sir Thomas Beecham | 4:26 |
1936-11-27 | Le Carnaval romain - Ouverture caractéristique,, op. 9 | | | London Philharmonic Orchestra, Sir Thomas Beecham | 8:57 |
1936-12-18 | Symphony no. 93 in D major: I. Allegro assai | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:43 |
1936-12-18 | Symphony no. 93 in D major: II. Largo cantabile | | | London Philharmonic Orchestra, Sir Thomas Beecham | 6:18 |
1936-12-18 | Symphony no. 93 in D major: III. Menuetto: Allegro | | | London Philharmonic Orchestra, Sir Thomas Beecham | 4:09 |
| See all 1,694 relationships |
| instruments |
---|
| Cradle Song | | piano | Dora Labbette, Sir Thomas Beecham | 2:16 |
| The Nightingale | | piano | Dora Labbette, Sir Thomas Beecham | 2:01 |
| Twilight Fancies | | piano | Dora Labbette, Sir Thomas Beecham | 4:11 |
| orchestra |
---|
| Clarinet Concerto - Adagio | | | Jack Brymer, Sir Thomas Beecham, Royal Philharmonic Orchestra | 8:55 |
| orchestrated |
---|
| Sleigh Ride | | | Bournemouth Symphony Orchestra, David Hill | 6:27 |
| performed |
---|
1959-07-16 | Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto | | | Ludwig van Beethoven; Sir Thomas Beecham, Royal Philharmonic Orchestra | 8:15 |
| vocals |
---|
1949-03-30 | Introduction by Sir Thomas Beecham | | spoken vocals | Sir Thomas Beecham | 2:35 |
1954-09-16 | Speech by Sir Thomas Beecham | | spoken vocals | Sir Thomas Beecham | 3:23 |
1955-11-24 | Sir Thomas Beecham on Sibelius | | spoken vocals | Sir Thomas Beecham | 15:31 |
1955-12-08 | Sir Thomas Beecham announces an encore | | spoken vocals | Sir Thomas Beecham | 0:38 |
1955-12-08 | Sir Thomas Beecham speaks to the audience | | spoken vocals | Sir Thomas Beecham | 1:11 |
1956-10-22 | Introduction by Sir Thomas Beecham | | spoken vocals | Sir Thomas Beecham | 2:25 |
1956-10-22 | Introduction by Sir Thomas Beecham | | spoken vocals | Sir Thomas Beecham | 0:53 |
1958-12-09 | Introduction by Sir Thomas Beecham | | spoken vocals | Sir Thomas Beecham | 2:10 |
| Introduction by Sir Thomas Beecham | | spoken vocals | Sir Thomas Beecham | 1:48 |
| Sir Thomas Beecham speaks about La bohème | | spoken vocals | Sir Thomas Beecham | 1:23 |
| arranged |
---|
| Solomon / Love in Bath | | | Handel; Royal Philharmonic Orchestra, Beecham Choral Society, Sir Thomas Beecham | |
| conducted |
---|
1950-04-24 – 1951-03-09 | Symphonies by Mozart and Haydn | | | Wolfgang Amadeus Mozart, Joseph Haydn; Royal Philharmonic Orchestra, Sir Thomas Beecham | |
1951-11-12 – 1951-11-15 | Harold en Italie | | | Hector Berlioz; William Primrose, Royal Philharmonic Orchestra, Sir Thomas Beecham | |
| Carmen | | | Georges Bizet; Victoria de los Ángeles, Nicolai Gedda, Janine Micheau, Ernest Blanc, Chœurs & Orchestre National de la Radiodiffusion Française, Sir Thomas Beecham | |
| Messiah | | | Handel; Royal Philharmonic Orchestra, Sir Thomas Beecham | |
| Solomon / Love in Bath | | | Handel; Royal Philharmonic Orchestra, Beecham Choral Society, Sir Thomas Beecham | |
| performed |
---|
1949-12-21 – 1949-12-22 | Orchestral Works by Bizet and Tchaikovsky | | | Georges Bizet, Пётр Ильич Чайковский; Columbia Symphony Orchestra, Sir Thomas Beecham | |
| arranged |
---|
| Hassan Suite | | | | |
| Hassan Suite: Intermezzo | | | | |
| Hassan Suite: Serenade | | | | |
| Légende | | | | |
| Les Dieux Mendiants | | | | |
| Love in Bath | | | | |
| Love In Bath: Beau Nash | | | | |
| Love In Bath: Gigue | | | | |
| Love In Bath: Hornpipe | | | | |
| Love In Bath: Hunting Dance | | | | |
| Love In Bath: Interlude | | | | |
| Love In Bath: Love Scene | | | | |
| Love In Bath: March | | | | |
| Love In Bath: March (Reprise) | | | | |
| Love In Bath: Minuet | | | | |
| Love In Bath: Rondeau | | | | |
| Love In Bath: Sarabande | | | | |
| Love In Bath: Second Love Scene | | | | |
| Love In Bath: Serenade | | | | |
| Love In Bath: The Elopement - Discovery - Finale | | | | |
| Love In Bath: The Exquisites (Madrigal) | | | | |
| Love In Bath: The Linleys | | | | |
| Love In Bath: The Plot | | | | |
| Love In Bath: The Pump Room | | | | |
| Love In Bath: The Pump Room (Reprise) | | | | |
| Love In Bath: The Quarrel | | | | |
| Love In Bath: The Weary Flunkeys | | | | |
| Messiah, HWV 56 | | | | |
| Messiah, HWV 56: Part I | | | | |
| Messiah, HWV 56: Part I, no. 1. Sinfonia | | | | |
| Messiah, HWV 56: Part I, no. 2. Comfort ye my people | | | | |
| Messiah, HWV 56: Part I, no. 3. Every valley shall be exalted | | | | |
| Messiah, HWV 56: Part I, no. 4. And the glory of the Lord | | | | |
| Messiah, HWV 56: Part I, no. 5. Thus saith the Lord | | | | |
| Messiah, HWV 56: Part I, no. 6. But who may abide the day of his coming? | | | | |
| Messiah, HWV 56: Part I, no. 7. And he shall purify | | | | |
| Messiah, HWV 56: Part I, no. 8. Behold, a virgin shall conceive | | | | |
| Messiah, HWV 56: Part I, no. 9. O thou that tellest good tidings to Zion | | | | |
| Messiah, HWV 56: Part I, no. 10. For behold, darkness shall cover the Earth | | | | |
| Messiah, HWV 56: Part I, no. 11. The people that walked in darkness | | | | |
| Messiah, HWV 56: Part I, no. 12. For unto us a child is born | | | | |
| Messiah, HWV 56: Part I, no. 13. Pifa ("Pastoral symphony") | | | | |
| Messiah, HWV 56: Part I, no. 14. There were shepherds abiding in the field. And lo, the angel of the Lord came upon them | | | | |
| Messiah, HWV 56: Part I, no. 15. And the angel said unto them | | | | |
| Messiah, HWV 56: Part I, no. 16. And suddenly there was with the angel | | | | |
| Messiah, HWV 56: Part I, no. 17. Glory to God | | | | |
| Messiah, HWV 56: Part I, no. 18. Rejoice greatly, O daughter of Zion | | | | |
| Messiah, HWV 56: Part I, no. 19. Then shall the eyes of the blind | | | | |
| Messiah, HWV 56: Part I, no. 20. He shall feed his flock | | | | |
| Messiah, HWV 56: Part I, no. 21. His yoke is easy, and his burthen is light | | | | |
| Messiah, HWV 56: Part II | | | | |
| Messiah, HWV 56: Part II, no. 22. Behold the lamb of God | | | | |
| Messiah, HWV 56: Part II, no. 23. He was despised | | | | |
| Messiah, HWV 56: Part II, no. 24. Surely he hath borne our griefs | | | | |
| Messiah, HWV 56: Part II, no. 25. And with his stripes we are healed | | | | |
| Messiah, HWV 56: Part II, no. 26. All we like sheep have gone astray | | | | |
| Messiah, HWV 56: Part II, no. 27. All they that see him laugh him to scorn | | | | |
| Messiah, HWV 56: Part II, no. 28. He trusted in God | | | | |
| Messiah, HWV 56: Part II, no. 29. Thy rebuke hath broken his heart | | | | |
| Messiah, HWV 56: Part II, no. 30. Behold, and see if there be any sorrow | | | | |
| Messiah, HWV 56: Part II, no. 31. He was cut off out of the land of the living | | | | |
| Messiah, HWV 56: Part II, no. 32. But thou didst not leave his soul in hell | | | | |
| Messiah, HWV 56: Part II, no. 33. Lift up your heads, O ye gates | | | | |
| Messiah, HWV 56: Part II, no. 37. The Lord gave the word | | | | |
| Messiah, HWV 56: Part II, no. 38. How beautiful are the feet | | | | |
| Messiah, HWV 56: Part II, no. 39. Their sound is gone out | | | | |
| Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together? | | | | |
| Messiah, HWV 56: Part II, no. 41. Let us break their bonds asunder | | | | |
| Messiah, HWV 56: Part II, no. 42. He that dwelleth in heaven | | | | |
| Messiah, HWV 56: Part II, no. 43. Thou shalt break them | | | | |
| Messiah, HWV 56: Part II, no. 44. Hallelujah | | | | |
| Messiah, HWV 56: Part III | | | | |
| Messiah, HWV 56: Part III, no. 45. I know that my redeemer liveth | | | | |
| Messiah, HWV 56: Part III, no. 46. Since by man came death | | | | |
| Messiah, HWV 56: Part III, no. 47. Behold, I tell you a mystery | | | | |
| Messiah, HWV 56: Part III, no. 48. The trumpet shall sound | | | | |
| Messiah, HWV 56: Part III, no. 53. Worthy is the lamb that was slain | | | | |
| Suite from Irmelin | | | | |
| The Arrival of the Queen of Sheba | | | | |
| composed |
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| Sleigh Ride | | | | |
| dedicated works |
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| Fennimore und Gerda | | | | |
| orchestrated |
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| Autumn | | | | |