| arranged |
---|
| Saday, Maday | Karn | | Mick Karn | 6:29 |
| instruments |
---|
| A Handful of Pearls | | fretless bass | Jakko | 6:12 |
| A Night in Heaven | | saxophone | Richard Barbieri / Tim Bowness | 5:44 |
| A Reassuringly Dull Sunday | | percussion | Rain Tree Crow | 1:22 |
| A Reassuringly Dull Sunday | | bass clarinet | Rain Tree Crow | 1:22 |
| A Subway Called ‘You’ | | bass guitar | Gary Numan | 4:36 |
| A Subway Called ‘You’ | | saxophone | Gary Numan | 4:36 |
| Beginning to Melt (remix) | | bass guitar | Jansen Barbieri Karn | 11:14 |
| Big Wheels in Shanty Town | | brass | Rain Tree Crow | 7:09 |
| Big Wheels in Shanty Town | | bass guitar ['Wah Wah' bass] | Rain Tree Crow | 7:09 |
| Big Wheels in Shanty Town | | bass [pulse bass] | Rain Tree Crow | 7:09 |
| Blackcrow Hits Shoe Shine City | | bass | Rain Tree Crow | 5:14 |
| Blackcrow Hits Shoe Shine City | | saxophone ['Wah Wah' saxophone] | Rain Tree Crow | 5:14 |
| Blackwater | | bass | Rain Tree Crow | 4:20 |
| Break Heaven | | bass guitar | No-Man | 4:46 |
| Cries and Whispers | | bass | Rain Tree Crow | 2:31 |
| Days in the Trees | | bass guitar | No-Man | 6:21 |
| Every Colour You Are | | saxophone ['Wah Wah' saxophone] | Rain Tree Crow | 4:46 |
| Every Colour You Are | | bass | Rain Tree Crow | 4:46 |
| Feed the Fire | | bass guitar | Indigo Falls | 4:44 |
| Flame | | bass | Richard Barbieri / Tim Bowness | 5:18 |
| Free | | bass guitar | Joan Armatrading | 3:26 |
| Ghosts | | bass | Japan | 4:32 |
| Glow World | | bass guitar | Bill Nelson | 4:06 |
| Heads We’re Dancing | | bass guitar | Kate Bush | 5:21 |
| Heartcheat Pop | | bass guitar | No-Man | 3:52 |
| Heaven Taste | | fretless bass, saxophone and woodwind | No-Man | 21:06 |
| Intoxicated | | bass | Nusrat Fateh Ali Khan & Michael Brook | 7:34 |
| Invocation of Mantra | | bass | Apache 61 | 2:57 |
| More Than One Kind of Love | | bass guitar | Joan Armatrading | 5:37 |
| My Brother’s Time | | saxophone | Gary Numan | 4:37 |
| My Brother’s Time | | bass guitar | Gary Numan | 4:37 |
| New Moon at Red Deer Wallow | | bass clarinet | Rain Tree Crow | 5:13 |
| Ocean Song | | bass guitar | No-Man | 4:43 |
| Pocket Full of Change | | brass | Rain Tree Crow | 6:09 |
| Pocket Full of Change | | bass | Rain Tree Crow | 6:09 |
| Promise Land | | bass guitar | Joan Armatrading | 4:06 |
| Rain Tree Crow | | bagpipe [pipes] | Rain Tree Crow | 2:05 |
| Red Earth (As Summertime Ends) | | tabla | Rain Tree Crow | 3:38 |
| Red Earth (As Summertime Ends) | | bass | Rain Tree Crow | 3:38 |
| Remembrance Day | | bass guitar | Midge Ure | 4:28 |
| Saday, Maday | | bass | Mick Karn | 6:29 |
| Scratchings on the Bible Belt | | bass clarinet | Rain Tree Crow | 2:46 |
| She’s Got Claws | | bass guitar and saxophone | Gary Numan | 4:55 |
| She’s Got Claws | | saxophone | Gary Numan | 4:55 |
| Slowcar to China | | bass guitar | Gary Numan | 9:05 |
| Someone's in the Background | | bass guitar | Joan Armatrading | 4:01 |
| Song of Love and Everything, Parts I and II | | bass | Richard Barbieri / Tim Bowness | 6:12 |
| Sweetheart Raw | | fretless bass | No-Man | 6:05 |
| Taking It Like a Man | | bass guitar | No-Man | 6:08 |
| The Grand Parade | | bass | Mark Isham | 5:52 |
| The Insect Tribe | | bass guitar, electric guitar and keyboard | Jansen Barbieri Karn | 7:02 |
| Time Flown | | saxophone | Richard Barbieri / Tim Bowness | 5:56 |
| Try Again | | bass guitar and guest | Kim Wilde | 4:23 |
| Voyage | | bass [fretless bass] | 篠原ともえ | 3:15 |
| We’ll Change the World | | fretless bass | Jakko | 6:33 |
| instruments arranged |
---|
| Big Wheels in Shanty Town | | wind instruments | Rain Tree Crow | 7:09 |
| Big Wheels in Shanty Town | | horn | Rain Tree Crow | 6:57 |
| miscellaneous roles |
---|
| Buoy | | | Mick Karn | 5:16 |
| mixed |
---|
| Artemis | | | Dalis Car | 4:39 |
| Cornwall Stone | | | Dalis Car | 5:19 |
| Create and Melt | | | Dalis Car | 5:36 |
| Dali’s Car | | | Dalis Car | 5:12 |
| His Box | | | Dalis Car | 4:42 |
| Moonlife | | | Dalis Car | 4:57 |
| The Judgement Is the Mirror | | | Dalis Car | 4:36 |
| performed |
---|
| After a Fashion | | | Midge Ure feat. Mick Karn | 3:59 |
| Artemis | | | Dalis Car | 4:39 |
| Cornwall Stone | | | Dalis Car | 5:19 |
| Create and Melt | | | Dalis Car | 5:36 |
| Dali’s Car | | | Dalis Car | 5:12 |
| Heaven Taste | | | No-Man | 22:30 |
| Heaven Taste (Jimi Tenor 'rearrangement') | | | No-Man | 9:07 |
| Heaven Taste (Steven Wilson original mix 2016 edit) | | | No-Man | 11:21 |
| His Box | | | Dalis Car | 4:42 |
| Moonlife | | | Dalis Car | 4:57 |
| The Judgement Is the Mirror | | | Dalis Car | 4:36 |
| produced |
---|
| Saday, Maday | | | Mick Karn | 6:29 |
| programming |
---|
| Angel's Got a Lotus | | membranophone | Mick Karn | 2:50 |
| Latin Mastock | | membranophone | Mick Karn | 5:42 |
| Up to Nil | | membranophone | Mick Karn | 3:55 |
| Venus Monkey | | membranophone | Mick Karn | 6:11 |
| remixed |
---|
| Sensitive | | | Mick Karn | 4:23 |
| vocals |
---|
| Buoy | | | Mick Karn | 5:16 |
| Cold Light | | background vocals | Jansen Barbieri Karn | 6:40 |
| Latin Mastock | | | Mick Karn | 5:42 |
| Up to Nil | | | Mick Karn | 3:55 |
| arranged |
---|
| Dreams of Reason Produce Monsters | | | Mick Karn | |
| Dreams of Reason Produce Monsters | | | Mick Karn | |
| Each Eye A Path | | | Mick Karn | |
| Rain Tree Crow | | | Rain Tree Crow | |
| Titles | | | Mick Karn | |
| art direction |
---|
| Dreams of Reason Produce Monsters | | | Mick Karn | |
| engineered |
---|
| Each Eye A Path | | | Mick Karn | |
| More Better Different | | | Mick Karn | |
| The Tooth Mother | | | Mick Karn | |
| instruments |
---|
| _ism | | clarinet, keyboard and saxophone | Jansen Barbieri Karn | |
| Adolescent Sex | | bass, bass guitar, flute, guitar and saxophone | Japan | |
| Adolescent Sex | | bass, bass guitar, flute, guitar and saxophone | Japan | |
| Adolescent Sex | | bass, bass guitar, flute, guitar and saxophone | Japan | |
| Beginning to Melt | | bass clarinet, bass guitar, brass, keyboard and saxophone | Jansen Barbieri Karn | |
| Bestial Cluster | | alto saxophone, bass, bass clarinet, clarinet, keyboard and percussion | Mick Karn | |
| Bestial Cluster | | alto saxophone, bass, bass clarinet, clarinet, keyboard and percussion | Mick Karn | |
| Dreams of Reason Produce Monsters | | accordion, alto saxophone, bass, bass clarinet, clarinet, flute, keyboard, membranophone, percussion, soprano saxophone and tenor saxophone | Mick Karn | |
| Dreams of Reason Produce Monsters | | accordion, alto saxophone, bass, bass clarinet, clarinet, flute, keyboard, membranophone, percussion, soprano saxophone and tenor saxophone | Mick Karn | |
| Each Eye A Path | | bass, clarinet, guitar, keyboard and percussion | Mick Karn | |
| Gentlemen Take Polaroids | | bass guitar, oboe, recorder and saxophone | Japan | |
| Gentlemen Take Polaroids | | bass guitar, oboe, recorder and saxophone | Japan | |
| Kingdom of Dust | | bass | Jakko | |
| Obscure Alternatives | | bass, flute and saxophone | Japan | |
| Obscure Alternatives | | bass, flute and saxophone | Japan | |
| Oil on Canvas | | bass guitar, clarinet and saxophone | Japan | |
| Oil on Canvas | | bass guitar, clarinet and saxophone | Japan | |
| Oil on Canvas | | bass guitar, clarinet and saxophone | Japan | |
| Oil on Canvas | | bass guitar, clarinet and saxophone | Japan | |
| Playing in a Room With People | | bass clarinet and bass guitar | Jansen Barbieri Karn | |
| Quiet Life | | bass and saxophone | Japan | |
| Quiet Life | | bass and saxophone | Japan | |
| Quiet Life | | bass and saxophone | Japan | |
| Rain Tree Crow | | bass, bass clarinet, brass, guitar, percussion, pipe organ, saxophone and tabla | Rain Tree Crow | |
| Seed | | clarinet, keyboard and saxophone | Jansen Barbieri Karn | |
| The End of the Beauty | | bass | Losalios | |
| The Tooth Mother | | alto saxophone, bass, bass clarinet, handclaps and keyboard | Mick Karn | |
| Tin Drum | | bass guitar and flute | Japan | |
| Tin Drum | | bass guitar and flute | Japan | |
| Tin Drum | | bass guitar and flute | Japan | |
| Tin Drum | | bass guitar and flute | Japan | |
| Titles | | bass, bassoon, clarinet, keyboard, ocarina, percussion, recorder and saxophone | Mick Karn | |
| instruments arranged |
---|
| Quiet Life | | saxophone | Japan | |
| Quiet Life | | saxophone | Japan | |
| Quiet Life | | saxophone | Japan | |
| mixed |
---|
| Dreams of Reason Produce Monsters | | | Mick Karn | |
| More Better Different | | | Mick Karn | |
| Seed | | | Jansen Barbieri Karn | |
| The Tooth Mother | | | Mick Karn | |
| Titles | | | Mick Karn | |
| produced |
---|
| Beginning to Melt | | | Jansen Barbieri Karn | |
| Bestial Cluster | | | Mick Karn | |
| Bestial Cluster | | | Mick Karn | |
| Dreams of Reason Produce Monsters | | | Mick Karn | |
| Dreams of Reason Produce Monsters | | | Mick Karn | |
| Each Eye A Path | | | Mick Karn | |
| More Better Different | | | Mick Karn | |
| The Tooth Mother | | | Mick Karn | |
| Titles | | | Mick Karn | |
| programming |
---|
| Each Eye A Path | | | Mick Karn | |
| vocals |
---|
| Adolescent Sex | | | Japan | |
| Adolescent Sex | | | Japan | |
| Adolescent Sex | | | Japan | |
| Bestial Cluster | | | Mick Karn | |
| Bestial Cluster | | | Mick Karn | |
| Dreams of Reason Produce Monsters | | background vocals | Mick Karn | |
| Dreams of Reason Produce Monsters | | background vocals | Mick Karn | |
| Each Eye A Path | | | Mick Karn | |
| Obscure Alternatives | | | Japan | |
| Obscure Alternatives | | | Japan | |
| Oil on Canvas | | background vocals | Japan | |
| Oil on Canvas | | background vocals | Japan | |
| Oil on Canvas | | background vocals | Japan | |
| Oil on Canvas | | background vocals | Japan | |
| Playing in a Room With People | | | Jansen Barbieri Karn | |
| Quiet Life | | background vocals | Japan | |
| Quiet Life | | background vocals | Japan | |
| Quiet Life | | background vocals | Japan | |
| The Tooth Mother | | | Mick Karn | |
| Titles | | | Mick Karn | |
| composed |
---|
| A Reassuringly Dull Sunday | | | | |
| Artemis | | | | |
| Beginning to Melt | | | | |
| Big Wheels in Shanty Town | | | | |
| Blackcrow Hits Shoe Shine City | | | | |
| Blackwater | | | | |
| Boat’s for Burning | | | | |
| Cornwall Stone | | | | |
| Create and Melt | | | | |
| Cries and Whispers | | | | |
| Dali’s Car | | | | |
| Every Colour You Are | | | | |
| His Box | | | | |
| I Drink to Forget | | | | |
| Moonlife | | | | |
| New Moon at Red Deer Wallow | | | | |
| Pocket Full of Change | | | | |
| Rain Tree Crow | | | | |
| Red Earth (As Summertime Ends) | | | | |
| Scratchings on the Bible Belt | | | | |
| Sons of Pioneers | | | | |
| The Judgement Is the Mirror | | | | |
| miscellaneous roles |
---|
| Buoy | | | | |
| wrote |
---|
| After a Fashion | | | | |
| Aim | | | | |
| Answer | | | | |
| Buoy | | | | |
| Dreams of Reason | | | | |
| First Impression | | | | |
| Language of Ritual | | | | |
| Saday, Maday | | | | |
| The Three Fates | | | | |
| When Love Walks In | | | | |
| Witness (For Bobby) | | | | |