Anthology

~ Release by Grover Washington, Jr. (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1The Best Is Yet to Come
bass:
Cedric Napoleon
drums (drum set):
Darryl Washington (percussionist/drummer)
guitar:
James Herb Smith
keyboard:
James Lloyd
percussion:
Leonard Gibbs (percussionist)
shakers:
Ralph MacDonald
synthesizer:
Dexter Wansel
tenor saxophone:
Grover Washington, Jr.
background vocals and lead vocals:
Patti LaBelle
arranger:
Dexter Wansel and Grover Washington, Jr.
recording of:
The Best Is Yet to Come
writer:
Cynthia Biggs and Dexter Wansel
publisher:
Assorted Music, Cynthia Demari Biggs El and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
6:00
2East River Drive
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
recording of:
East River Drive (in 1981)
composer:
Grover Washington, Jr.
4:46
3Be Mine (Tonight)
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), William Eaton (US producer & arranger) (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
lead vocals:
Grady Tate (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
recording of:
Be Mine (Tonight) (in 1981)
writer:
William Eaton (US producer & arranger), Ralph MacDonald and William Salter
6:23
4Can You Dig It
producer:
Ralph MacDonald and Grover Washington, Jr.
alto saxophone:
Grover Washington, Jr.
bass:
Marcus Miller (jazz musician)
brass:
Jon Faddis, Alex Forster (jazz saxophonist) and Frank Wess
drums (drum set):
Yogi Horton
guitar:
Eric Gale
percussion:
Ralph MacDonald
Rhodes piano:
Richard Tee
synthesizer:
Paul Griffin (American pianist, session musician)
arranger:
William Eaton (US producer & arranger)
5:19
5In the Name of Love
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
In the Name of Love (from 1980-06 until 1980-07)
composer:
Ralph MacDonald and William Salter
publisher:
Antisla Music and Bluenig Music
55:28
6Just the Two of Us (feat. Bill Withers)
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Richard Tee (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
synthesizer:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
vocals and performer:
Bill Withers (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (from 1980-06 until 1980-07)
writer:
Ralph MacDonald, William Salter and Bill Withers
57:22
7Jammin'
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), William Eaton (US producer & arranger) (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
instrumental cover recording of:
Jamming (in 1981)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
5:08
8Little Black Samba
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
mixer:
Richard Alderson (Producer and engineer), Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1981-06 until 1981-09)
congas and percussion:
Ralph MacDonald (from 1981-06 until 1981-09)
drums (drum set):
Steve Gadd (drummer) (from 1981-06 until 1981-09)
guitar:
Eric Gale (from 1981-06 until 1981-09)
Rhodes piano:
Richard Tee (from 1981-06 until 1981-09)
saxophone:
Grover Washington, Jr. (from 1981-06 until 1981-09)
synthesizer:
Paul Griffin (American pianist, session musician) (from 1981-06 until 1981-09)
background vocals:
Vivian Cherry (from 1981-06 until 1981-09), William Eaton (US producer & arranger) (from 1981-06 until 1981-09), Frank Floyd (US soul disco funk singer) (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
lead vocals:
Grady Tate (from 1981-06 until 1981-09)
conductor:
William Eaton (US producer & arranger) (from 1981-06 until 1981-09)
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at and mixed at:
Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
5:44
9Jet Stream
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (in 1984-06)
percussion:
Anthony MacDonald (in 1984-06) and Ralph MacDonald (in 1984-06)
piano:
Richard Tee (in 1984-06)
saxophone [alto, baritone, tenor, soprano saxophone]:
Grover Washington, Jr. (in 1984-06)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Rosebud Recording Studio in New York, New York, United States (in 1984-06)
mixed at:
Sigma Sound Studios (New York) in New York, New York, United States
recording of:
Jet Stream (in 1984-06)
writer:
Arlene Sorensen and Richard Steacker
5:29
10Let It Flow ('For Dr. J')
assistant recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (from 1980-06 until 1980-07)
assistant engineer:
Eddie Heath, Jr.
engineer:
Richard Alderson (Producer and engineer)
producer:
Ralph MacDonald and Grover Washington, Jr.
bass:
Marcus Miller (jazz musician) (from 1980-06 until 1980-07)
drums (drum set):
Steve Gadd (drummer) (from 1980-06 until 1980-07)
guitar:
Eric Gale (from 1980-06 until 1980-07)
percussion:
Ralph MacDonald (from 1980-06 until 1980-07)
Rhodes piano:
Paul Griffin (American pianist, session musician) (from 1980-06 until 1980-07)
saxophone:
Grover Washington, Jr. (from 1980-06 until 1980-07)
conductor:
William Eaton (US producer & arranger) (from 1980-06 until 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographic copyright (℗) by:
Elektra Entertainment Company (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
recorded at:
Rosebud Recording Studio in New York, New York, United States (from 1980-06 until 1980-07)
recording of:
Let It Flow (For “Dr. J”) (from 1980-06 until 1980-07)
composer:
Grover Washington, Jr.
55:50