The Look of Love

~ Release by Diana Krall (see all versions of this release, 13 available)

Tracklist

▼ CD 1
#TitleRatingLength
1S’Wonderful
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
guitar:
Dori Caymmi (the son) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-06-03 until 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-06-05 until 2001-06-07)
cover recording of:
’S Wonderful (in 2001)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
4:29
2Love Letters
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Russell Malone (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-11-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
Love Letters (in 2001)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
part of:
The 18th Academy Award for Best Original Song (number: 2)
4:56
3I Remember You
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-06-03 until 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-06-05 until 2001-06-07)
cover recording of:
I Remember You (in 2001)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Paramount Music Corporation
3:56
4Cry Me a River
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Russell Malone
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
Cry Me a River (in 2001)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
5:03
5Bésame mucho
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-06-03 until 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-06-05 until 2001-06-07)
cover recording of:
Bésame mucho (Bésame, bésame mucho como si fuera esta noche la última vez) (in 2001)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
6:39
6The Night We Called It a Day
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Russell Malone (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
The Night We Called It a Day (in 2001)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
BMI/Embassy Music Corp. and Dorsey Brothers Music
5:42
7Dancing in the Dark
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
Dancing in the Dark (in 2001)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Band Wagon (1953 film)
5:48
8I Get Along Without You Very Well
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Russell Malone (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
I Get Along Without You Very Well (in 2001)
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
3:45
9The Look of Love
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
4:42
10Maybe You’ll Be There
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Russell Malone (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
Maybe You’ll Be There (in 2001)
lyricist:
Sammy Gallop
composer:
Rube Bloom (American songwriter, pianist and vocalist)
5:31