Sinatra Sings the Select Cole Porter

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Tracklist

CD 1
#TitleRatingLength
1I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
43:43
2I Concentrate on You
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
I Concentrate on You (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
2:24
3What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:34
4You Do Something to Me
producer:
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-08-22)
orchestra:
The Nelson Riddle Orchestra (on 1960-08-22)
conductor:
Nelson Riddle (on 1960-08-22)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-08-22)
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (on 1960-08-22)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
1:35
5At Long Last Love
recording of:
At Long Last Love
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
part of:
You Never Know
2:25
6Anything Goes
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (on 1956-01-16) and Eleanor Slatkin (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Anything Goes (on 1956-01-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
42:42
7Night and Day
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-11-26)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:00
8Just One of Those Things
producer:
Voyle Gilmore
trumpet:
Harry “Sweets” Edison (on 1954-04-07)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle (on 1954-04-07)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-07)
cover recording of:
Just One of Those Things (on 1954-04-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:14
9I Get a Kick Out of You
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
I Get a Kick Out of You (on 1953-11-06)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
42:53
10You'd Be So Nice to Come Home To
producer:
Voyle Gilmore
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:05
11I Love Paris
recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
1:51
12From This Moment On
producer:
Voyle Gilmore
trumpet:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, in 1956-11)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1950)
part of:
Kiss Me, Kate (musical)
3:52
13C'est Magnifique
recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier])
lyricist and composer:
Cole Porter (composer) (in 1953)
part of:
Can‐Can (1960 musical film)
2:02
14It's All Right With Me
recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
4:14
15Mind If I Make Love to You
recording of:
Mind If I Make Love to You?
lyricist and composer:
Cole Porter (composer)
2:24
16You're Sensational
recording of:
You’re Sensational (High Society musical romantic comedy film) (on 1956-04-05)
lyricist and composer:
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp.
part of:
High Society (stage musical)
2:16