Forever for Now

~ Release by Harry Connick, Jr. (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1It Had to Be You (Big Band and Vocals)
assistant recording engineer:
Dennis Ferrante
recording engineer:
Tim Geelan (from 1989-06-06 until 1989-06-19)
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
mixer:
Tim Geelan
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
RCA Studio B (New York) in New York, New York, United States (from 1989-06-06 until 1989-06-19)
mixed at and edited at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States
recording of:
It Had to Be You (from 1989-06-06 until 1989-06-19)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
2:41
2Love Is Here to Stay
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
recording of:
Love Is Here to Stay
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
4:12
3Forever, for Now
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
recording of:
Forever, for Now
writer:
Harry Connick, Jr. and Ramsey McLean
publisher:
Papa's-June Music, Inc.
4:22
4Stardust
recording engineer and mixer:
Gregg Rubin (from 1992-10-02 until 1992-10-09)
assistant engineer:
Carl Glanville
producer:
Tracey Freeman
piano:
Harry Connick, Jr. and Ellis Marsalis (American jazz pianist)
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
46:06
5Do You Know What It Means to Miss New Orleans5:20
6Recipe for Love
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
recording of:
Recipe for Love
lyricist and composer:
Harry Connick, Jr.
2:34
7One Last Pitch (take Two)3:27
8Heavenly
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
recording of:
Heavenly
writer:
Harry Connick, Jr. and Ramsey McLean
2:01
9Blue Light, Red Light (Someone’s There)
recording engineer and mixer:
Gregg Rubin (from 1991-06-27 until 1991-07-14)
assistant producer:
Ann Marie Wilkins
producer:
Tracey Freeman
arranger and orchestrator:
Harry Connick, Jr.
recorded at:
BMG Studio A in Theater District, New York, New York, United States (from 1991-06-27 until 1991-07-14)
recording of:
Blue Light, Red Light (Someone's There)
composer:
Harry Connick, Jr. and Ramsey McLean
publisher:
Papa's-June Music, Inc. and Ramboyain'T Music
43:30
10But Not for Me
assistant recording engineer:
Dennis Ferrante
recording engineer:
Tim Geelan (from 1989-06-06 until 1989-06-19)
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
mixer:
Tim Geelan
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
RCA Studio B (New York) in New York, New York, United States (from 1989-06-06 until 1989-06-19)
mixed at and edited at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States
recording of:
But Not for Me (from 1989-06-06 until 1989-06-19)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:33
11Little Clown
assistant engineer:
Hank Altman (Sound Engineer)
engineer:
Tim Geelan
producer:
Delfeayo Marsalis (US jazz trombonist)
editor:
Dennis Ferrante
bass:
Ron Carter (US jazz double-bassist)
piano:
Harry Connick, Jr.
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recording of:
Little Clown
composer:
Harry Connick, Jr.
publisher:
Papa's-June Music, Inc.
45:52
12Where or When
assistant recording engineer:
Dennis Ferrante
recording engineer:
Tim Geelan (from 1989-06-06 until 1989-06-19)
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
mixer:
Tim Geelan
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
RCA Studio B (New York) in New York, New York, United States (from 1989-06-06 until 1989-06-19)
mixed at and edited at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States
recording of:
Where or When (from “Babes in Arms”) (from 1989-06-06 until 1989-06-19)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
3:51
13Don’t Get Around Much Anymore
assistant recording engineer:
Dennis Ferrante
recording engineer:
Tim Geelan (from 1989-06-06 until 1989-06-19)
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
mixer:
Tim Geelan
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
RCA Studio B (New York) in New York, New York, United States (from 1989-06-06 until 1989-06-19)
mixed at and edited at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States
cover recording of:
Don’t Get Around Much Anymore (from 1989-06-06 until 1989-06-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
4:23
14You Didn’t Know Me When
recording engineer and mixer:
Gregg Rubin (from 1991-06-27 until 1991-07-14)
assistant producer:
Ann Marie Wilkins
producer:
Tracey Freeman
arranger and orchestrator:
Harry Connick, Jr.
recorded at:
BMG Studio A in Theater District, New York, New York, United States (from 1991-06-27 until 1991-07-14)
recording of:
You Didn’t Know Me When
composer:
Harry Connick, Jr. and Ramsey McLean
43:11
15It’s Alright With Me
assistant recording engineer and assistant mixer:
Gregg Rubin
recording engineer and mixer:
Joel Moss
assistant producer:
Ann Marie Wilkins
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
34:53
16We Are in Love
producer:
Harry Connick, Jr. and Marc Shaiman (American score composer and lyricist)
recording of:
We Are in Love
lyricist and composer:
Harry Connick, Jr.
publisher:
Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
2:41

Credits

Release

manufactured in:Austria
distributed by:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
copyrighted (©) by and phonographic copyright (℗) by:Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1993)
glass mastered by:DADC Austria
Discogs:https://www.discogs.com/release/737714 [info]
ASIN:UK: B000025KTD [info]

Release group

Discogs:https://www.discogs.com/master/408050 [info]
Wikidata:Q5469494 [info]