Wow That Was the 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
CD 1
#TitleArtistRatingLength
1American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
membranophone and percussion:
Roy Markowitz (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean54:09
2Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner3.452:59
3Long Cool Women in a Black Dress
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (on 1971-07-16)
writer:
Allan Clarke (of The Hollies), Roger Cook (singer, songwriter, producer) and Roger Greenaway
The Hollies4.23:16
4Jeans On
phonographic copyright (℗) by:
Air (UK record company and label, related to Air Studios) (in 1976)
recording of:
Jeans On (in 1976)
writer:
David Dundas and Roger Greenaway
David Dundas3:18
5Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:04
6The Worker
producer:
Mike Howlett
recording of:
The Worker
writer:
John Watts
Fischer‐Z3:35
7Silver Machine
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead)
drums (drum set):
Simon King (drummer)
flute and saxophone:
Nik Turner
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
synthesizer:
Dik Mik Davies and Del Dettmar
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind), Robert Calvert and Nik Turner
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden, London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent, London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd.
Hawkwind3.654:38
8Roll Over Beethoven
cover recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Electric Light Orchestra6:44
9Don't Take Away the MusicTavares3:35
10(Here Comes the) ExpressB.T. Express5:01
11Greased Lightnin
producer:
Louis St. Louis (American songwriter, music arranger and singer)
mixer:
David J. Holman
saxophone:
Ray Pizzi
additional vocals:
Jeff Conaway (actor)
lead vocals:
John Travolta (American actor and singer)
horn arranger and strings arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (from 1978 to present) and RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
writer:
Warren Casey and Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (from 1978 to present)
part of:
Grease (1971 musical)
John Travolta4.653:16
12Long Tall Glasses (I Can Dance)
recording of:
Long Tall Glasses
lyricist:
Leo Sayer
composer:
David Courtney (songwriter, singer and producer)
Leo Sayer3:05
13Movie Star
recording of:
Movie Star
lyricist and composer:
Harpo (Swedish pop singer) (in 1975)
Harpo53:24
14Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
Maxine Nightingale4.43:12
15Years May Come, Years May Go
Herman’s Hermits33:40
16Rubber Bullets
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972)
acoustic guitar, electric guitar, electric piano, grand piano, mellotron, Moog and percussion:
Lol Creme (in 1972)
drums (drum set) and percussion:
Kevin Godley (in 1972)
electric guitar, Moog and slide guitar:
Eric Stewart (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) and Eric Stewart (in 1972)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972)
recording of:
Rubber Bullets (in 1972)
writer:
Lol Creme, Kevin Godley and Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd. (in 1973)
10cc4.655:18
CD 2
#TitleArtistRatingLength
1Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc.
Blondie3.62:18
2My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in 1979-04)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger
The Knack4.14:01
32-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:20
4I Hear You Knockin'
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher) and Francis, Day & Hunter Ltd.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds4.352:48
5Proud Mary
engineer:
Brent Maher
producer:
Ike Turner
instruments:
Ike Turner & The Kings of Rhythm
background vocals:
The Ikettes
lead vocals:
Tina Turner
vocals:
Ike Turner
part of:
New York Post: 100 Greatest Covers (2007) (number: 69)
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.54:56
6Spanish Stroll
bass:
Rubén Sigüenza
guitar:
Willy DeVille and Louis X. Erlanger
membranophone:
Thomas R. "Manfred" Allen, Jr.
piano:
Bobby Leonards
lead vocals:
Willy DeVille
phonographic copyright (℗) by:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink DeVille3:34
7The Tears of a ClownThe Beat32:42
8You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Chuck Rainey (American bassist)
clavinet:
John Barns
drums (drum set):
Steve Gadd (drummer)
guitar:
Larry Carlton and Ray Parker Jr.
background vocals:
Clydie King, Becky Louis and Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
phonographic copyright (℗) by:
Chrysalis (in 1976)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, EMI Blackwood Music Inc. (1989-07-24–present) and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Leo Sayer53:36
9Ain't Gonna Bump No More (With No Big Fat Woman)
producer:
Buddy Killen
phonographic copyright (℗) by:
Dial (60s/70s Nashville) (in 1977)
recording of:
Ain’t Gonna Bump No More (With No Big Fat Woman)
writer:
Buddy Killen and Bennie Lee McGinty
Joe Tex3:31
10The Streak
producer:
Ray Stevens (US singer‐songwriter & comedian)
recording of:
The Streak
lyricist and composer:
Ray Stevens (US singer‐songwriter & comedian)
Ray Stevens53:18
11The Wall Street Shuffle10cc3.83:53
12Johnny Reggae
recording of:
Johnny Reggae
writer:
Jonathan King
The Piglets2:11
13Double Barrel
producer:
Winston Riley
bass:
Robert “Robbie” Shakespeare
guitar:
Ranchie McLean
keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
lead vocals:
Dave Barker (reggae artist)
performer:
The Techniques All Stars
recording of:
Double Barrel
lyricist and composer:
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) and Winston Riley
Dave & Ansel Collins52:32
14Barbados
recording of:
Barbados
writer:
Jeffrey Calvert and Max West
Typically Tropical4:07
15Queen of ClubsKC and the Sunshine Band53:19
16Get Dancing
recording of:
Get Dancin’
writer:
Bob Crewe and Kenny Nolan
Disco Tex & The Sex-O-Lettes3:49
CD 3
#TitleArtistRatingLength
1Dyna-mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:58
2Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
Suzi Quatro4.253:35
3Dancing on a Saturday Night
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
Crimson Copyrights Ltd. (in 1973)
recording of:
Dancin’ (On a Saturday Night)
writer:
Barry Blue (singer, producer, and songwriter) and Lynsey de Paul
publisher:
ATV Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Barry Blue3:07
4Beach Baby
recording of:
Beach Baby
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
First Class4.54:55
5Highwire
Linda Carr3:52
6Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:20
7Sugar Me
engineer:
Pete Coleman
producer:
Lynsey de Paul
phonographic copyright (℗) by:
MAM Records Ltd. (in 1972)
recording of:
Sugar Me
writer:
Barry Ian Green (singer, producer, and songwriter) and Lynsey de Paul
publisher:
ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:54
8The Man Who Sold the World
recording of:
The Man Who Sold the World
lyricist:
David Bowie (English singer‐songwriter) (on 1970-05-22)
composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), Chrysalis Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems-EMI, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Chrysalis Music (music publisher, ASCAP-affiliated) (in 1974) and MainMan (in 1974)
David Bowie feat. Lulu3:50
9Moonlighting
recording of:
Moonlighting
lyricist:
Leo Sayer
composer:
Frank Farrell (UK rock bassist, vocalist and songwriter)
Leo Sayer4:05
10Donna
engineer and mixer:
Eric Stewart
producer:
10cc
acoustic guitar, bass, electric guitar, resonator guitar [dobro] and tambourine:
Graham Gouldman (in 1972)
acoustic guitar, electric guitar, electric piano, grand piano, mellotron, Moog and percussion:
Lol Creme (in 1972)
drums (drum set) and percussion:
Kevin Godley (in 1972)
electric guitar, Moog and slide guitar:
Eric Stewart (in 1972)
vocals:
Lol Creme (in 1972), Kevin Godley (in 1972), Graham Gouldman (in 1972) and Eric Stewart (in 1972)
phonographic copyright (℗) by:
Strawberry Productions (copyright holder for 10cc) (in 1973) and Jonathan King Enterprises Ltd. (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1972)
recording of:
Donna (in 1972)
writer:
Lol Creme and Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1973)
10cc3.852:56
11Hot Child in the City
recording of:
Hot Child in the City
writer:
Nick Gilder and Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
Nick Gilder53:08
12Lucky Number
producer:
The Stateless (possibly Lene Lovich and Les Chappell)
mixer:
Roger Bechirian
lead vocals:
Lene Lovich
remixer:
Roger Bechirian
recording of:
Lucky Number
writer:
Les Chappell and Lene Lovich
Lene Lovich4.52:48
13Popcorn
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
Hot Butter4.352:33
14Ride a Wild Horse
phonographic copyright (℗) by:
Chelsea Records Corp. (in 1975)
recording of:
Ride a Wild Horse
writer:
Kenny Nolan
Dee Clark52:49
15Flip
Jesse Green2:55
16Don't Let It Die
recording of:
Don’t Let It Die
lyricist, writer and composer:
Hurricane Smith (UK producer/engineer, performed as Hurricane Smith)
Hurricane Smith2:35
CD 4
#TitleArtistRatingLength
1Make Me Smile
producer:
Steve Harley and Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:55
2Dancing in the CityMarshall Hain3:46
3S-S-S Single Bed
part of:
TV Cream: Real 100 Best Singles Ever (number: 90)
recording of:
S-S-S-Single Bed
lyricist and composer:
Kenny Young
Fox33:51
4Showdown
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass and background vocals:
Michael d’Albuquerque (in 1973-04)
cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) and Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1973-04)
guitar and lead vocals:
Jeff Lynne (in 1973-04)
Moog and piano:
Richard Tandy (in 1973-04)
violin:
Wilfred Gibson (UK violinist) (in 1973-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1973-04)
recording of:
Showdown (in 1973-04)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Electric Light Orchestra4.54:11
5The Devil's Answer
Atomic Rooster3:27
6Jarrow Song
Alan Price5:32
7They Shoot Horses Don't They
recording of:
They Shoot Horses Don't They?
lyricist and composer:
Gareth Mortimer
Racing Cars3:37
8The Air That I Breathe
engineer:
Mike Jarratt and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies), Tony Hicks and Terry Sylvester
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973) and The Hollies Ltd. (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (London) Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Hollies4.54:04
9When I Need You
recording engineer:
Howard Steele (US producer, sound engineer)
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Willie Weeks (US bass player)
drums (drum set):
Jeff Porcaro
electric piano:
Michael Omartian
guitar:
Dean Parks (American session guitarist)
saxophone:
George Palisky, Jr.
synthesizer:
James Newton Howard (American score composer)
vocals:
Leo Sayer
synthesizer arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Silverbird Ltd. (in 1977) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You
writer:
Carole Bayer Sager and Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music (publisher), Begonia Melodies Inc., Chappell Music (UK), Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, Windswept Music (London) Ltd., シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Leo Sayer34:09
10Be Thankful for What You've Got
producer:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974) and Frank Fioravanti (in 1974)
arranger:
John Davis (70s US funk producer/songwriter aka The Monster) (in 1974)
phonographic copyright (℗) by:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1974)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 374)
recording of:
Be Thankful for What You Got
lyricist and composer:
William DeVaughn
publisher:
Delicious Apple Music Corp., EMI Jemaxal Music Inc., H&R Lastrada Music, Melomega Music, Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Tunes, LLC
William DeVaughn4.53:27
11Sad EyesRobert John3:30
12Black and White
Greyhound2:31
13Oh Boy
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud22:53
14Lay Your Love on Me
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
RAK Records (copyrights holder) (in 1978)
recording of:
Lay Your Love on Me
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Racey3:14
15January
producer:
Alan Parsons (of The Alan Parsons Project)
recording of:
January
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
lyricist and composer:
David Paton
publisher:
EMI Music Publishing (do not use as a release label!) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:29
16Devil Gate Drive
recording of:
Devil Gate Drive
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd.
Suzi Quatro4.753:47
CD 5
#TitleArtistRatingLength
1No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers53:28
2Emma
producer:
Mickie Most (English record producer)
recording of:
Emma
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:50
3Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.22:22
4Please Don't GoKC and the Sunshine Band43:50
5Swing Your Daddy
producer:
Kenny Nolan
arranger:
Gene Page
phonographic copyright (℗) by:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1975)
cover recording of:
Swing Your Daddy
writer:
Kenny Nolan
Jim Gilstrap32:53
6Sugar Candy Kisses
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1975)
recording of:
Sugar Candy Kisses
writer:
Wayne Bickerton and Tony Waddington
publisher:
Music for Africa (South Africa)
Mac & Katie Kissoon3:18
7Dreams Are Ten a Penny
recording of:
Dreams Are Ten a Penny
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
Kincade2:37
8Gimme Dat Ding
recording of:
Gimme Dat Ding
writer:
Albert Hammond and Mike Hazlewood
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/Dick James Music Ltd. (fka Dick James Music Ltd.) and シンコーミュージック・エンタテイメント
The Pipkins2:11
9Nice and Slow
recording of:
Nice and Slow
lyricist and composer:
Ken Gibson (orchestrator, arranger and record producer)
Jesse Green3:07
10Get Off
recording of:
Get Off
lyricist:
Carl Driggs (singer-songwriter, drummer)
composer:
Carl Driggs (singer-songwriter, drummer) and Ish Ledesma
Foxy45:42
11Do You Wanna Dance
producer:
Barry Blue (singer, producer, and songwriter)
recording of:
Do You Wanna Dance?
writer:
Barry Blue (singer, producer, and songwriter), Ron Roker and Gerry Shury
publisher:
ATV Music Ltd.
Barry Blue33:53
12I Just Can't Help Believing
recording of:
I Just Can’t Help Believin’
writer:
Barry Mann and Cynthia Weil
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Screen Gems-Columbia Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
B.J. Thomas42:59
13She's a Lady
cover recording of:
She’s a Lady (in 1971)
lyricist and composer:
Paul Anka
publisher:
Chrysalis Standards Inc. and Spanka Music Corp.
recording of:
She’s a Lady
lyricist and composer:
Paul Anka
publisher:
Chrysalis Standards Inc. and Spanka Music Corp.
Tom Jones42:54
14Don't Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:37
15Won't Somebody Dance With Me
phonographic copyright (℗) by:
MAM Records Ltd. (in 1973)
recording of:
Won't Somebody Dance With Me
lyricist and composer:
Lynsey de Paul
Lynsey de Paul3:52
16After the Lovin'
Engelbert Humperdinck3:55
CD 6
#TitleArtistRatingLength
1Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
mixed at:
Davlen Sound Studios in Universal City, California, United States
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Pepper Music Inc.
Al Stewart4.356:35
2A Little Bit More
producer:
Ron Haffkine and Waylon Jennings (American country musician)
cover recording of:
A Little Bit More
lyricist and composer:
Bobby Gosh (pianist, songwriter, and producer)
publisher:
Bygosh Music Corp., Intersong Music Ltd., Sunbury Music Ltd. and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019))
Dr. Hook32:55
3Dancing Easy
Danny Williams33:15
4Don't It Make My Brown Eyes Blue
phonographic copyright (℗) by:
Capitol Nashville (in 1977)
cover recording of:
Don’t It Make My Brown Eyes Blue
lyricist and composer:
Richard Leigh (American country music songwriter and singer)
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
Crystal Gayle4.42:34
5Lovin' You
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:24
6Why Can't We Live TogetherTimmy Thomas4:37
7The Bannerman
recording of:
Banner Man
writer:
Roger Cook (singer, songwriter, producer), Herbie Flowers and Roger Greenaway
Blue Mink3:27
8Everything I Own
cover recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Ken Boothe3:23
9Boogie on Up
Rokotto45:41
10Sideshow
recording of:
Sideshow
writer:
Vinnie Barrett and Bobby Eli
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Barry Biggs3:31
11Silver Lady
phonographic copyright (℗) by:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
writer:
Tony Macaulay and Geoff Stephens
publisher:
Macaulay Music Ltd. and Polygram International Music Publishing Ltd.
David Soul53:43
12I'm Doin' Fine Now
recording of:
I’m Doin’ Fine Now
writer:
Thom Bell (keyboards, songwriter, producer) and Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:49
13Heaven Must Be Missing an Angel
edit of:
Heaven Must Be Missing an Angel by Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:33
14Haven't Stopped Dancing Yet
recording of:
I Haven’t Stopped Dancing Yet
composer:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Wizard (Bahamas) Ltd.
Gonzalez3:54
15Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee, Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc.
Average White Band4.054:01
16Dance With the DevilCozy Powell3:23
CD 7
CD 8