Love Is the Song We Sing: San Francisco Nuggets 1965-1970

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Seismic Rumbles
#TitleArtistRatingLength
1Let's Get Together
recorded in:
San Francisco, California, United States (in 1964-01)
producer:
Tom Donahue and Bob Mitchell (producer)
guitar and lead vocals:
Dino Valenti (in 1964-01)
recording of:
Let’s Get Together (in 1964-01)
lyricist and composer:
Chet Powers
publisher:
Irving Music (BMI) and Irving Music, Inc.
Dino Valenti3:01
2I Feel Like I'm Fixin' to Die Rag (EP version)
recorded in:
Berkeley, California, United States (in 1965)
bass:
Richard Saunders (Acoustic bassist) (in 1965)
guitar:
Country Joe McDonald (in 1965) and Barry Melton (in 1965)
washboard:
Carl Schrager (in 1965)
background vocals:
Mike Beardslee (in 1965) and Barry Melton (in 1965)
lead vocals:
Country Joe McDonald (in 1965)
recording of:
I-Feel-Like-I’m-Fixin’-To-Die Rag (in 1965)
lyricist and composer:
Country Joe McDonald
Country Joe and the Fish2:44
3You Were on My Mind
recorded in:
San Francisco, California, United States (in 1965-04)
producer:
Frank Werber
bass:
Peter Fullerton (in 1965-04)
drums (drum set):
Jerry Granelli (in 1965-04)
guitar:
Jerry Burgan (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) and Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
background vocals:
Jerry Burgan (in 1965-04), Peter Fullerton (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) and Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
lead vocals:
Beverly Bivens (in 1965-04)
cover recording of:
You Were on My Mind (in 1965-04)
lyricist and composer:
Sylvia Tyson
recording of:
You Were on My Mind
lyricist and composer:
Sylvia Tyson
We Five22:37
4Number One
recorded in:
San Francisco, California, United States (in 1965-08)
producer:
Sylvester Stewart
bass:
Richard Olsen (in 1965-08)
drums (drum set):
Dan Hicks (in 1965-08)
guitar and lead vocals:
Mike Wilhelm (in 1965-08)
piano:
Michael Ferguson (American organist) (in 1965-08)
tambourine:
George Hunter (design) (in 1965-08)
phonographic copyright (℗) by:
The Charlatans (1960's San Francisco psychedelic band) (in 1982)
recording of:
Number One (in 1965-08)
writer:
Mike Wilhelm
The Charlatans4:06
5Can't Come Down
recorded in:
San Francisco, California, United States (on 1965-11-03)
engineer:
Leo De Gar Kulka
producer:
Bobby Mitchell (producer), Tom Donahue and Sylvester Stewart
bass guitar:
Phil Lesh (on 1965-11-03)
drums (drum set):
Bill Kreutzmann (on 1965-11-03)
guitar:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (on 1965-11-03) and Bob Weir (on 1965-11-03)
harmonica and organ:
Ron “Pigpen” McKernan (on 1965-11-03)
background vocals:
Phil Lesh (on 1965-11-03) and Bob Weir (on 1965-11-03)
lead vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (on 1965-11-03)
phonographic copyright (℗) by:
Grateful Dead Productions Inc. (in 1999)
recorded at:
Golden Gate Studio in San Francisco, California, United States (on 1965-11-03) and Golden State Studios in San Francisco, California, United States (on 1965-11-03)
recording of:
Can’t Come Down (on 1965-11-03)
lyricist:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
composer:
Grateful Dead
publisher:
Ice Nine Publishing Company, Inc.
recording of:
Can’t Come Down (from 1965-11 until 1965-11-03)
lyricist:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
composer:
Grateful Dead
publisher:
Ice Nine Publishing Company, Inc.
The Warlocks53:01
6Don't Talk to Strangers
recorded in:
San Francisco, California, United States (in 1965-08)
producer:
Sylvester Stewart
bass:
Ron Meagher (in 1965-08)
drums (drum set):
John Petersen (drummer) (in 1965-08)
guitar:
Ron Elliott (guitarist/songwriter, member of The Beau Brummels) (in 1965-08)
percussion and lead vocals:
Sal Valentino (in 1965-08)
background vocals:
Ron Elliott (guitarist/songwriter, member of The Beau Brummels) (in 1965-08) and Ron Meagher (in 1965-08)
recording of:
Don't Talk to Strangers (in 1965-08)
writer:
Bob Durand and Ron Elliott (guitarist/songwriter, member of The Beau Brummels)
The Beau Brummels32:21
7Anything
recorded in:
San Francisco, California, United States (in 1965-05)
producer:
Sylvester Stewart
bass:
Richard Dey (in 1965-05)
drums (drum set):
Jan Errico (in 1965-05)
guitar:
Ned Hollis (in 1965-05) and Reese Sheets (in 1965-05)
organ:
Ned Hollis (in 1965-05)
percussion and lead vocals:
Bob Bailey (The Vejtables) (in 1965-05)
background vocals:
Richard Dey (in 1965-05), Jan Errico (in 1965-05), Ned Hollis (in 1965-05) and Reese Sheets (in 1965-05)
recording of:
Anything (in 1965-05)
writer:
Bob Bailey (The Vejtables)
The Vejtables1:58
8It's No Secret
recorded in:
Hollywood, Los Angeles, California, United States (in 1965-12)
producer:
Matthew Katz (producer) and Tommy Oliver
bass:
Jack Casady (in 1965-12)
drums (drum set):
Alexander “Skip” Spence (in 1965-12)
guitar:
Marty Balin (in 1965-12), Paul Kantner (in 1965-12) and Jorma Kaukonen (in 1965-12)
percussion:
Signe Toly Anderson (in 1965-12)
background vocals:
Signe Toly Anderson (in 1965-12) and Paul Kantner (in 1965-12)
lead vocals:
Marty Balin (in 1965-12)
recording of:
It's No Secret (in 1965-12)
lyricist and composer:
Marty Balin
Jefferson Airplane2:30
9Johnny Was a Good Boy
recorded in:
San Francisco, California, United States (in 1966-01)
producer:
Randy Sterling
bass:
Larry Bennett (in 1966-10)
clavinet and lead vocals:
Ron Nagle (in 1966-10)
drums (drum set):
John Luby (in 1966-10)
guitar and background vocals:
Bob Cuff (in 1966-10)
recording of:
Johnny Was a Good Boy (in 1966-10)
writer:
Bob Cuff and Ron Nagle
The Mystery Trend42:37
10Free Advice
recorded in:
San Francisco, California, United States (in 1965-12)
producer:
Sylvester Stewart
additional percussion:
Billy Preston (in 1965-12)
bass:
Bard Dupont (in 1965-12)
drums (drum set):
Jerry Slick (in 1965-12)
guitar:
David Miner (electric and double bassist) (in 1965-12) and Darby Slick (in 1965-12)
lead vocals:
David Miner (electric and double bassist) (in 1965-12) and Grace Slick (in 1965-12)
recording of:
Free Advice (in 1965-12)
writer:
Darby Slick
The Great Society2:07
11Mr Jones (A Ballad of a Thin Man)
recorded in:
Hollywood, Los Angeles, California, United States (in 1965)
producer:
Lou Adler, Steve Barri and P.F. Sloan
drums (drum set):
Joel Larson (in 1965)
guitar:
Denny Ellis (in 1965) and Bill Fulton (in 1965-12)
instruments:
David Stenson (in 1965)
background vocals:
Denny Ellis (in 1965)
lead vocals:
Bill Fulton (in 1965-12)
cover recording of:
Ballad of a Thin Man (in 1965)
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Warner/Chappell (from 1965 until 1993) and Special Rider Music (from 1993 to present)
The Grass Roots2:55
12Stranger in a Strange Land
recorded in:
San Francisco, California, United States (in 1966-01)
producer:
Randy Sterling and Frank Werber
bass:
Steve Talbot (in 1966-01)
drums (drum set):
John Chambers (percussion) (in 1966-01)
guitar:
Jeff Blackburn (in 1966-01) and Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1966-01)
background vocals:
Jeff Blackburn (in 1966-01)
lead vocals:
Sherry Snow (in 1966-01)
recording of:
Stranger in a Strange Land (in 1966-01)
writer:
Samuel F. Omar
Blackburn & Snow2:30
13Who Do You Love (demo version)
recorded in:
San Francisco, California, United States (in 1966)
bass:
David Freiberg (in 1966)
drums (drum set):
Greg Elmore (in 1966)
guitar:
John Cipollina (in 1966) and Gary Duncan (in 1966)
harmonica and lead vocals:
Jim Murray (original guitarist for Quicksilver Messenger Service) (in 1966)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
cover recording of:
Who Do You Love? (in 1966)
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Quicksilver Messenger Service5:57
14She's My Baby
recorded in:
San Francisco, California, United States (in 1965-10)
producer:
Sylvester Stewart
bass and lead vocals:
Jim Alaimo (in 1965-10)
drums (drum set):
Dennis DeCarr (in 1965-10)
guitar:
Paul Curcio (in 1965-10)
guitar [fuzz guitar], harmonica and percussion:
Sylvester Stewart (in 1965-10)
keyboard:
Don Metchick (in 1965-10)
background vocals:
Paul Curcio (in 1965-10), Don Metchick (in 1965-10) and Sylvester Stewart (in 1965-10)
recording of:
She's My Baby (in 1965-10)
writer:
Jim Alaimo, Steve Alaimo and Paul Curcio
The Mojo Men3:02
15Coffee Cup
recorded in:
Hollywood, Los Angeles, California, United States (in 1966-08)
producer:
Bob Shad
bass:
John Jennings (bassist) (in 1966-08)
drums (drum set):
Tom Ellis (drummer) (in 1966-08)
guitar:
Michael Brown (guitarist, The Wildflower) (in 1966-08) and Stephen Ehret (in 1966-08)
percussion and background vocals:
Teddy Schneider (percussionist) (in 1966-08)
vocals:
Michael Brown (guitarist, The Wildflower) (in 1966-08) and Stephen Ehret (in 1966-08)
recording of:
Coffee Cup (in 1966-08)
writer:
Stephen Ehret and Tom Ellis (drummer)
The Wildflower2:18
16Live Your Own Life
recorded in:
South Lake Tahoe, California, United States (in 1966)
producer:
Jim Burgett
bass:
Bill Whittington (in 1966)
drums (drum set):
Vann Slatter (in 1966)
guitar:
Mike Durè (in 1966) and Bob Segarini (in 1966)
background vocals:
Mike Durè (in 1966) and Bill Whittington (in 1966)
lead vocals:
Bob Segarini (in 1966)
recording of:
Live Your Own Life (in 1966)
writer:
Mike Durè and Bob Segarini
The Family Tree2:54
17Fat City
recorded in:
San Francisco, California, United States (in 1966-09)
producer:
Randy Sterling
bass:
Al Strong (in 1966-09)
drums (drum set):
Jim Myers (drummer, The Sons of Champlin) (in 1966-09)
guitar:
Terry Haggerty (in 1966-09)
organ and lead vocals:
Bill Champlin (in 1966-09)
saxophone:
Tim Cain (in 1966-09)
background vocals:
Tim Cain (in 1966-09), Terry Haggerty (in 1966-09) and Al Strong (in 1966-09)
recording of:
Fat City (in 1966-09)
writer:
Rob Moitoza
The Sons of Champlin3:04
18Human Monkey
recorded in:
San Mateo, California, United States (in 1966)
producer:
Fred Cohn
bass:
Bob Mosley (bass player from Moby Grape) (in 1966)
drums (drum set):
Don Stevenson (Drummer, Moby Grape) (in 1966)
guitar:
Jerry Miller (US songwriter, guitarist & vocalist) (in 1966)
keyboard and background vocals:
Charles Schoning (in 1966)
lead vocals:
Jerry Miller (US songwriter, guitarist & vocalist) (in 1966) and Don Stevenson (Drummer, Moby Grape) (in 1966)
recording of:
Human Monkey (in 1966)
writer:
Jerry Miller (US songwriter, guitarist & vocalist) and Don Stevenson (Drummer, Moby Grape)
The Frantics2:09
19Bye Bye Bye (Warner Bros. single version)
recorded in:
San Francisco, California, United States (in 1965-12)
producer:
Abe Kesh
bass:
Dick Yount (in 1965-12)
drums (drum set):
Ted Templeman (in 1965-12)
guitar:
Ed James (guitarist from Santa Clara) (in 1965-12) and Dick Scoppettone (in 1965-12)
background vocals:
Ted Templeman (in 1965-12) and Dick Yount (in 1965-12)
lead vocals:
Dick Scoppettone (in 1965-12)
recording of:
Bye Bye Bye (in 1965-12)
writer:
Dick Scoppettone and Ted Templeman
The Tikis2:46
20Section 43 (EP version)
recorded in:
Berkeley, California, United States (in 1966-06)
producer:
ED Denson (Eugene "ED" Denson)
bass and harmonica:
Bruce Barthol (bassist and songwriter) (in 1966-06)
drums (drum set):
John Francis Gunning (in 1966-06)
guitar:
David Cohen, Joe McDonald (in 1966-06) and Barry Melton (in 1966-06)
organ:
David Cohen (in 1966-06)
percussion:
Paul Armstrong (Percussionist) (in 1966-06)
tambourine:
Paul Armstrong (Percussionist)
vocals:
Joe McDonald and Barry Melton
recording of:
Section 43 (in 1966-06)
writer:
Country Joe McDonald
Country Joe and the Fish6:44
21Hello Hello
recorded in:
New York, New York, United States (in 1966)
bass:
Martin Beard (in 1966)
drums (drum set):
Norman Mayell (in 1966)
guitar:
William Sievers (in 1966)
piano:
Terry MacNeil (in 1966)
background vocals:
Martin Beard (in 1966), Terry MacNeil (in 1966) and William Sievers (in 1966)
lead vocals:
Peter Kraemer (in 1966)
recording of:
Hello, Hello (in 1966)
writer:
Peter Kraemer and Terry MacNeil
Sopwith Camel52:25
▼ CD 2: Suburbia
#TitleArtistRatingLength
1Psychotic Reaction
recorded in:
Los Angeles, California, United States (in 1966)
producer:
Joe Hooven and Hal Winn
bass:
Roy Chaney (in 1966)
drums (drum set):
Craig “Butch” Atkinson (in 1966)
guitar:
John “Sean” Byrne (in 1966) and John “Mouse” Michalski (in 1966)
harmonica:
Kenn Ellner (in 1966)
lead vocals:
John “Sean” Byrne (in 1966)
performer:
Count Five and The Countdown Singers (sound-alike cover band associated with the Madacy labels)
recording of:
Psychotic Reaction (in 1966)
composer:
Craig “Butch” Atkinson, John “Sean” Byrne, Roy Chaney, Kenn Ellner and John “Mouse” Michalski
publisher:
Lovolar Music
Count Five53:08
2Got Love
recorded in:
Hollywood, Los Angeles, California, United States (in 1965)
producer:
Charles Greene (producer) and Brian Stone (producer)
bass and background vocals:
Gary Phillips (in 1965)
drums (drum set):
Bill Bowen (drummer in The Sons of Champlin and The Front Line, active starting in 1960s) (in 1965)
guitar:
Rex Larson (in 1965)
organ:
Jim Brewer (keyboardist) (in 1965)
lead vocals:
Jim Lanigan (in 1965)
recording of:
Got Love (in 1965)
writer:
Jim Lanigan and Gary Phillips
The Front Line1:44
3Satisfaction Guaranteed
recorded in:
San Francisco, California, United States (in 1966-06)
producer:
Link D'Amario and Leonard Wade
bass:
Charlie Gardin (Bassist, The Mourning Reign) (in 1966-06)
drums (drum set):
Craig Maggi (Drummer, The Mourning Reign) (in 1966-06)
guitar and background vocals:
Steve Canali (in 1966-06) and Rick Keefer (in 1966-06)
lead vocals:
Frank "Beau" Maggi (Guitarist, vocals, songwriter. Boa, Morning Reign) (in 1966-06)
recording of:
Satisfaction Guaranteed (in 1966-06)
writer:
Rick Keefer
Mourning Reign2:19
4Foolish Woman
recorded in:
Sacramento, California, United States (in 1966-10)
producer:
Johnny Hyde
additional organ:
Bruce Turley (in 1966-10)
additional saxophone:
Jack Hills (saxophonist) (in 1966-10)
bass:
Jim Keylor (in 1966-10)
drums (drum set):
Paul Whaley (in 1966-10)
guitar:
Dehner Patten (in 1966-10) and Gary Lee Yoder (in 1966-10)
background vocals:
Bob Salazar (in 1966-10) and Rick Salazar (in 1966-10)
lead vocals:
Gary Lee Yoder (in 1966-10)
recording of:
Foolish Woman (in 1966-10)
writer:
Dehner Patten and Gary Lee Yoder
The Oxford Circle2:32
5My Buddy Sin
recorded in:
Hollywood, Los Angeles, California, United States (in 1966-08)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
additional guitar:
Billy Mure (in 1966-08)
bass, keyboard and lead vocals:
Jim McPherson (singer/songwriter) (in 1966-08)
drums (drum set):
Dennis Carrasco (in 1966-08)
guitar and background vocals:
Roger Hedge (in 1966-08) and Bob Rominger (in 1966-08)
recording of:
My Buddy Sin (in 1966-08)
writer:
Jim McPherson (singer/songwriter)
Stained Glass2:53
6Streetcar
recorded in:
Los Angeles, California, United States (in 1966-08)
producer:
Bob Shad
bass:
Tom Antone (in 1966-08)
drums (drum set):
Ken Matthew (in 1966-08)
guitar:
Marty Battey (in 1966-08) and Allen Graham (in 1966-08)
piano:
Ned Torney (in 1966-08)
background vocals:
Tom Antone (in 1966-08), Marty Battey (in 1966-08) and Ken Matthew (in 1966-08)
lead vocals:
Allen Graham (in 1966-08)
recording of:
Streetcar (in 1966-08)
writer:
Marty Battey and Allen Graham
The Otherside2:23
7Suzy Creamcheese
recorded in:
San Jose, California, United States (in 1966-11)
producer:
Gradie O’Neal (US Rockabilly artist)
bass:
Herbie (bassist, Steve Urbani) (in 1966-11)
drums (drum set):
Steve Marley (in 1966-11)
guitar:
Bernie Pearson (in 1966-11)
organ:
David James Conway (in 1966-11)
lead vocals:
Teddy Flores (in 1966-11)
recording of:
Suzy Creamcheese (in 1966-11)
writer:
David James Conway
Teddy and His Patches3:14
8Rubiyat
recorded in:
San Francisco, California, United States (in 1967-03)
producer:
Leo De GarKulka and Larry Goldberg (producer, songwriter)
bass:
Mike Hamm (in 1967-03)
drums (drum set):
Mike Mau (in 1967-03)
guitar:
Tim Barnes (guitar, vocals) (in 1967-03) and Terry Davis (guitarist) (in 1967-03)
organ:
Kriss Kovacs (in 1967-03)
background vocals:
Terry Davis (guitarist) (in 1967-03) and Kriss Kovacs (in 1967-03)
lead vocals:
Tim Barnes (guitar, vocals) (in 1967-03)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1997)
recording of:
Rubiyat (in 1967-03)
writer:
عمر خیام and Kriss Kovacs
The Immediate Family2:34
9Rumors
recorded in:
San Francisco, California, United States (in 1966-06)
producer:
Garrie Thompson
bass:
Bob Gonzalez (in 1966-06)
drums (drum set):
John Duckworth (in 1966-06)
guitar:
Jim Sawyers (guitarist) (in 1966-06) and John Sharkey (guitarist and singer) (in 1966-06)
background vocals:
Don Baskin (in 1966-06)
lead vocals:
John Sharkey (guitarist and singer) (in 1966-06)
recording of:
Rumors (in 1966-06)
writer:
John Sharkey (guitarist and singer)
The Syndicate of Sound2:07
10Sometimes I Wonder
recorded in:
San Francisco, California, United States (in 1966-04)
producer:
Bill Quarry
bass:
Gary Clarke (bassist) (in 1966-04)
drums (drum set):
Jim Redding (in 1966-04)
guitar and background vocals:
Robert Hoyle (in 1966-04) and Ron Rotarius (in 1966-04)
lead vocals:
James Hockstaff (in 1966-04)
recording of:
Sometimes I Wonder (in 1966-04)
writer:
James Hockstaff and Robert Hoyle
Harbinger Complex2:18
11Want Ad Reader
recorded in:
Sacramento, California, United States (in 1966-08)
producer:
Johnny Hyde
bass and lead vocals:
Timothy B. Schmit (in 1966-08)
drums (drum set):
George Hullin (in 1966-08)
guitar:
Ron Floegel (in 1966-08) and Tom Phillips (of Redwing, Glad, and The New Breed) (in 1966-08)
background vocals:
Ron Floegel (in 1966-08), George Hullin (in 1966-08) and Tom Phillips (of Redwing, Glad, and The New Breed) (in 1966-08)
recording of:
Want Ad Reader (in 1966-08)
writer:
Ron Floegel, George Hullin, Tom Phillips (of Redwing, Glad, and The New Breed) and Timothy B. Schmit
The New Breed2:31
12I'm a Good Woman
recorded in:
San Francisco, California, United States (in 1967-07)
producer:
Leo De GarKulka
bass:
Rod Ellicott (in 1967-07)
drums (drum set):
Dann Herron (in 1967-07)
guitar:
Larry Field (in 1967-07)
keyboard:
Craig Parker (keyboardist) (in 1967-07)
tenor saxophone:
John Glazier (in 1967-07)
trumpet:
Greg Elberg (in 1967-07)
lead vocals:
Lydia Pense (in 1967-07)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 2000)
cover recording of:
I’m a Good Woman (in 1967-07)
lyricist and composer:
Barbara Lynn Ozen
publisher:
Crazy Cajun Music
The Generation4:18
13No Way Out
recorded in:
Studio City, Los Angeles, California, United States (in 1967-05)
producer:
Ed Cobb
bass:
William Flores (in 1967-05)
drums (drum set):
Gary Andrijasevich (in 1967-05)
guitar:
Mark Loomis (in 1967-05) and Sean Tolby (in 1967-05)
lead vocals:
David Aguilar (musician, singer, songwriter; frontman of the Chocolate Watchband) (in 1967-05)
recording of:
No Way Out (in 1967-05)
writer:
Ed Cobb
The Chocolate Watch Band2:22
14Hey I'm Lost
recorded in:
San Francisco, California, United States (in 1967-09)
producer:
Lou Dorren
drums (drum set):
Rick Morrison (drummer) (in 1967-09)
guitar:
Bob Zamora (in 1967-09)
instruments:
Harry Smith (bassist) (in 1967-09)
keyboard:
Larry Gerughty (in 1967-09)
background vocals:
Larry Gerughty (in 1967-09) and Bob Zamora (in 1967-09)
lead vocals:
Butch Engle (in 1967-09)
recording of:
Hey I'm Lost (in 1967-09)
writer:
Bob Durand and Ron Elliott (guitarist/songwriter, member of The Beau Brummels)
Butch Engle & The Styx2:30
15I Love You
recorded in:
Berkeley, California, United States (in 1967-11)
producer:
Captain Mikey (Marion Elbridge Herrington, aka Mikel Hunter Herrington)
bass:
Robb Levin (bassist) (in 1967-11)
drums (drum set):
Dennis Fridkin (in 1967-11)
guitar:
Geoff Levin (Production music composer) (in 1967-11) and Gene Mason (in 1967-11)
organ:
Albert Ribisi (in 1967-11)
background vocals:
Geoff Levin (Production music composer) (in 1967-11), Gene Mason (in 1967-11) and Albert Ribisi (in 1967-11)
lead vocals:
Larry Norman (in 1967-11)
cover recording of:
I Love You (in 1967-11)
lyricist and composer:
Chris White (UK bassist for The Zombies)
publisher:
Verulam Music Co., Ltd.
People4:31
16America
recorded in:
Los Angeles, California, United States (in 1968-09)
producer:
Eirik Wangberg
bass:
Pat Minter (bassist and vocalist for Public Nuisance) (in 1968-09)
drums (drum set):
Public Nuisance (60s rock band) (in 1968-09)
guitar:
Dave Houston (Sound engineer) (in 1968-09)
vocals:
Dave Houston (Sound engineer) (in 1968-09), Ron McMaster (US mastering & cutting engineer) (in 1968-09) and Pat Minter (bassist and vocalist for Public Nuisance) (in 1968-09)
phonographic copyright (℗) by:
Dave Houston (Sound engineer) (in 2002)
recording of:
America (in 1968-09)
writer:
Dave Houston (Sound engineer)
Public Nuisance3:23
17Fly to New York
recorded in:
Berkeley, California, United States (in 1969)
producer:
Robert Strand
bass:
Dave Carter (bassist) (in 1969)
drums (drum set):
Bill Baron (in 1969)
guitar:
Steve Derr (in 1969) and Greg Douglass (rock guitarist, born 1949) (in 1969)
background vocals:
Dave Carter (bassist) (in 1969) and Greg Douglass (rock guitarist, born 1949) (in 1969)
lead vocals:
Steve Derr (in 1969)
recording of:
Fly to New York (in 1969)
writer:
Bill Baron, Dave Carter (bassist), Steve Derr and Greg Douglass (rock guitarist, born 1949)
Country Weather6:18
18Thing in ''E''
recorded in:
Hollywood, Los Angeles, California, United States (in 1967)
producer:
Abe Kesh
bass:
Steve Lage (in 1967)
drums (drum set):
Jeff Myer (in 1967)
guitar:
Randy Hammon (in 1967) and John Palmer (guitarist, The Savage Resurrection) (in 1967)
vocals:
Bill Harper (singer) (in 1967)
recording of:
Thing in "E" (in 1967)
writer:
John Palmer (guitarist, The Savage Resurrection)
Savage Resurrection3:08
19Hearts to Cry
recorded in:
Sausalito, California, United States (in 1968-04)
producer:
Davis Brown, Frumious Bandersnatch and Ken Roe
bass:
Ross Valory (in 1968-04)
drums (drum set) and lead vocals:
Jackson King (drums) (in 1968-04)
guitar:
Bob Winkelman (rhythm and bass guitarist) (in 1968-04), David Denny (in 1968-04) and Jimmy Warner (in 1968-04)
background vocals:
Bob Winkelman (rhythm and bass guitarist) (in 1968-04) and Ross Valory (in 1968-04)
recording of:
Hearts to Cry (in 1968-04)
writer:
John King (drums)
Frumious Bandersnatch5:05
▼ CD 3: Summer of Love
#TitleArtistRatingLength
1Alabama Bound
recorded in:
San Francisco, California, United States (in 1967-07)
producer:
The Charlatans (1960's San Francisco psychedelic band)
autoharp:
George Hunter (design) (in 1967-07)
bass:
Richard Olsen (in 1967-07)
drums (drum set):
Dan Hicks (in 1967-07)
guitar:
Mike Wilhelm (in 1967-07)
instruments:
George Hunter (design) (in 1967-07) and Richard Olsen (in 1967-07)
piano:
Michael Ferguson (American organist) (in 1967-07)
vocals:
Dan Hicks (in 1967-07) and Mike Wilhelm (in 1967-07)
phonographic copyright (℗) by:
The Charlatans (1960's San Francisco psychedelic band) (in 1996)
recording of:
Alabama Bound (The Charlatans arrangement) (in 1967-07)
arranger:
Michael Ferguson (American organist), Dan Hicks, George Hunter (design), Richard Olsen and Mike Wilhelm
arrangement of:
I'm Alabama Bound
The Charlatans6:26
2Carl Street
recorded in:
San Francisco, California, United States (in 1967-07)
producer:
Jon Sägen
bass:
Larry Bennett (in 1967-07)
drums (drum set):
John Luby (in 1967-07)
guitar:
John Gregory (US guitarist vocalist for Seatrain/Mystery Trend) (in 1967-07)
piano and lead vocals:
Ron Nagle (in 1967-07)
background vocals:
John Gregory (US guitarist vocalist for Seatrain/Mystery Trend) (in 1967-07) and John Luby (in 1967-07)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1999)
recording of:
Carl Street (in 1967-07)
writer:
Ron Nagle
The Mystery Trend2:49
3Somebody to Love (LP version)
recorded in:
San Francisco, California, United States (in 1966-06)
producer:
Peter Abrams (producer)
bass:
Peter van Gelder (in 1966-06)
drums (drum set):
Jerry Slick (in 1966-06)
guitar:
David Miner (electric and double bassist) (in 1966-06) and Darby Slick (in 1966-06)
background vocals:
David Miner (electric and double bassist) (in 1966-06)
lead vocals:
Grace Slick (in 1966-06)
recording of:
Somebody to Love (Jefferson Airplane song) (in 1966-06)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Irving Music (BMI), Rondor Music, Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
cover recording of:
Somebody to Love (Jefferson Airplane song)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Irving Music (BMI), Rondor Music, Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
live recording of:
Somebody to Love (Jefferson Airplane song)
lyricist and composer:
Darby Slick
publisher:
Copperpenny Music, Irving Music (BMI), Rondor Music, Universal Music Publishing, Synch Division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
The Great Society34:20
4Superbird
recorded in:
Berkeley, California, United States (in 1967)
producer:
Sam Charters
bass:
Bruce Barthol (bassist and songwriter) (in 1967)
drums (drum set):
Gary "Chicken" Hirsh (in 1967)
guitar:
David Bennett Cohen (in 1967) and Barry Melton (in 1967)
lead vocals:
Country Joe McDonald (in 1967)
recording of:
Super Bird (in 1967)
writer:
Country Joe McDonald
Country Joe and the Fish2:04
5Two Days 'til Tomorrow
recorded in:
Los Angeles, California, United States (in 1967-02)
producer:
Lenny Waronker
bass:
Ron Meagher (in 1967-02)
guitar:
Ron Elliott (guitarist/songwriter, member of The Beau Brummels) (in 1967-02)
background vocals:
Ron Elliott (guitarist/songwriter, member of The Beau Brummels) (in 1967-02) and Ron Meagher (in 1967-02)
lead vocals:
Sal Valentino (in 1967-02)
recording of:
Two Days 'til Tomorrow (in 1967-02)
writer:
Bob Durand and Ron Elliott (guitarist/songwriter, member of The Beau Brummels)
The Beau Brummels3:50
6Omaha
recorded in:
Hollywood, Los Angeles, California, United States (in 1967-04)
producer:
David Rubinson
bass:
Bob Mosley (bass player from Moby Grape) (in 1967-04)
drums (drum set):
Don Stevenson (Drummer, Moby Grape) (in 1967-04)
guitar:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04) and Alexander “Skip” Spence (in 1967-04)
vocals:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04), Bob Mosley (bass player from Moby Grape) (in 1967-04), Alexander “Skip” Spence (in 1967-04) and Don Stevenson (Drummer, Moby Grape) (in 1967-04)
recording of:
Omaha (in 1967-04)
lyricist and composer:
Alexander “Skip” Spence
Moby Grape2:24
7Up and Down
recorded in:
Berkeley, California, United States (in 1967)
producer:
Sam Charters
bass:
David Stenson (in 1967)
drums (drum set):
Clark Coolidge (poet) (in 1967)
guitar:
Denny Ellis (in 1967) and David Meltzer (in 1967)
organ:
John Payne (keyboardist) (in 1967)
background vocals:
David Meltzer (in 1967)
lead vocals:
Tina Meltzer (in 1967)
recording of:
Up and Down (in 1967)
writer:
David Meltzer
The Serpent Power3:37
8The Golden Road (to Unlimited Devotion)
engineer:
Dick Bogert (Recording and mixing engineer)
producer:
Dave Hassinger
bass:
Phil Lesh (in 1967-01)
drums (drum set):
Bill Kreutzmann (in 1967-01)
guitar:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1967-01) and Bob Weir (in 1967-01)
organ:
Ron “Pigpen” McKernan (in 1967-01)
background vocals:
Phil Lesh (in 1967-01) and Bob Weir (in 1967-01)
lead vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1967-01)
arranger:
Grateful Dead
recorded at:
Coast Recorders in San Francisco, California, United States (in 1967-01)
recording of:
The Golden Road (to Unlimited Devotion) (in 1967-01)
writer:
Jerry Garcia (guitarist / vocalist in Grateful Dead), Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan and Bob Weir
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead42:11
9Codine
recorded in:
San Francisco, California, United States (in 1967)
producer:
Ben Shapiro
bass and lead vocals:
David Freiberg (in 1967)
drums (drum set):
Greg Elmore (in 1967)
guitar:
John Cipollina (in 1967) and Gary Duncan (in 1967)
cover recording of:
Cod’ine (in 1967)
lyricist and composer:
Buffy Sainte‐Marie
publisher:
Gypsy Boy Music Inc.
Quicksilver Messenger Service5:21
10Down on Me (live)
producer:
Elliot Mazer
bass and background vocals:
Peter Albin (in 1968-02)
drums (drum set):
Dave Getz (in 1968-02)
guitar:
Sam Andrew (in 1968-02) and James Gurley (in 1968-02)
lead vocals:
Janis Joplin (in 1968-02)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Grande Ballroom in Detroit, Michigan, United States (in 1968-02)
live recording of:
Down on Me (in 1968-02)
lyricist and arranger:
Janis Joplin
composer:
[traditional] (special purpose artist)
version of:
Down on Me
Big Brother & the Holding Company2:50
11Think Twice
recorded in:
Los Angeles, California, United States (in 1967)
producer:
Bob Thiele (producer & songwriter)
bass:
Artie McLean (in 1967)
drums (drum set):
Teddy Stewart (drummer for Salvation) (in 1967)
flute:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1967)
guitar:
Joe Tate (writer & producer from the 70s) (in 1967)
harmonica and lead vocals:
Alfred Linde (in 1967)
organ:
Art Resnick (keyboardist, pianist) (in 1967)
recording of:
Think Twice (in 1967)
writer:
Joe Tate (writer & producer from the 70s)
Salvation7:12
12White Rabbit
recorded in:
San Francisco, California, United States (from 1969-05-07 to present)
recording engineer:
David Hassinger (on 1966-11-03)
producer:
Rick Jarrard (from 1966-10-31 until 1966-11-22)
bass:
Jack Casady (from 1966-10-31 until 1966-11-22)
drums (drum set):
Spencer Dryden (from 1966-10-31 until 1966-11-22)
guitar [lead guitar]:
Jorma Kaukonen (from 1966-10-31 until 1966-11-22)
guitar [rhythm guitar]:
Paul Kantner (from 1966-10-31 until 1966-11-22)
lead vocals:
Grace Slick (from 1966-10-31 until 1966-11-22)
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1966-10-31 until 1966-11-22)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 455) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 478)
recording of:
White Rabbit (from 1966-10-31 until 1966-11-22)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.32:31
13Roll With It
recorded in:
Los Angeles, California, United States (in 1967)
producer:
Glyn Johns and Steve Miller Band (American rock band)
bass:
Lonnie Turner (in 1967)
drums (drum set):
Tim Davis (US drummer for Steve Miller Band) (in 1967)
guitar:
Steve Miller (leader of Steve Miller Band) (in 1967) and Boz Scaggs (in 1967)
organ:
Jim Peterman (in 1967)
background vocals:
Tim Davis (US drummer for Steve Miller Band) (in 1967) and Boz Scaggs (in 1967)
lead vocals:
Steve Miller (leader of Steve Miller Band) (in 1967)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1968)
recording of:
Roll With It (in 1967)
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
recording of:
Roll With It (in 1968)
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
Steve Miller Band2:27
14Why Did You Put Me On
recorded in:
New York, New York, United States (in 1968)
producer:
Sam Charters
bass:
Mike O'Connor (bassist) (in 1968)
drums (drum set):
Peter Ostwald (drummer) (in 1968)
guitar:
Mark Mandell (singer and guitarist) (in 1968) and Fred Sokolow (in 1968)
organ:
William Skip Rose (in 1968)
background vocals:
Mike O'Connor (bassist) (in 1968), William Skip Rose (in 1968) and Fred Sokolow (in 1968)
lead vocals:
Mark Mandell (singer and guitarist) (in 1968)
recording of:
Why Did You Put Me On (in 1968)
writer:
Mark Mandell (singer and guitarist)
Notes from the Underground2:43
15Underdog
recorded in:
Hollywood, Los Angeles, California, United States (in 1967-06)
producer:
Sly Stone
bass:
Larry Graham (US bassist & singer) (in 1967-06)
drums (drum set):
Greg Errico (in 1967-06)
guitar:
Freddie Stone (in 1967-06)
keyboard and lead vocals:
Sly Stone (in 1967-06)
saxophone:
Jerry Martini (in 1967-06)
trumpet:
Cynthia Robinson (in 1967-06)
background vocals:
Larry Graham (US bassist & singer) (in 1967-06), Jerry Martini (in 1967-06), Cynthia Robinson (in 1967-06) and Freddie Stone (in 1967-06)
recording of:
Underdog (in 1967-06)
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music and Warner Tamerlane Publishing (publisher; do NOT use as release label)
Sly & the Family Stone3:58
16Summertime Blues
recorded in:
Hollywood, Los Angeles, California, United States (in 1967)
producer:
Abe Kesh
bass and lead vocals:
Dickie Peterson (in 1967)
drums (drum set):
Paul Whaley (in 1967)
guitar:
Leigh Stephens (in 1967)
phonographic copyright (℗) by:
Mercury Inc. (copyrights use only) (in 1968)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 63)
cover recording of:
Summertime Blues (in 1967)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Elvis Presley Music, Gladys Music, Hill and Range Songs, Inc., Rightsong Music, Viva Music, Inc and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:46
17Glue
recorded in:
San Francisco, California, United States (in 1968-02)
producer:
The Ace of Cups
bass:
Mary Gannon (in 1968-02)
drums (drum set):
Diane Vitalich (in 1968-02)
guitar:
Denise Kaufman (1960s guitarist, member of Ace of Cups) (in 1968-02) and Mary Ellen Simpson (in 1968-02)
organ:
Marilyn Hunt (in 1968-02)
background vocals:
Marilyn Hunt (in 1968-02), Mary Ellen Simpson (in 1968-02), The Ace of Cups (in 1968-02) and Diane Vitalich (in 1968-02)
lead vocals:
Mary Gannon (in 1968)
phonographic copyright (℗) by:
The Ace of Cups (in 2003)
recording of:
Glue (in 1968-02)
writer:
Denise Kaufman (1960s guitarist, member of Ace of Cups)
The Ace of Cups4:39
18Soul Sacrifice
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1969-05)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (in 1969-05, on 1969-05-12)
guitar:
Carlos Santana (in 1969-05, on 1969-05-12)
organ:
Gregg Rolie (in 1969-05, on 1969-05-12)
percussion:
José “Chepito” Áreas (in 1969-05) and Michael Carabello (in 1969-05)
arranger:
Alberto Gianquinto
recorded at:
Pacific Recording Studio in San Mateo, California, United States (in 1969-05, on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
recording of:
Soul Sacrifice (on 1969-05-12)
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
Santana46:42
19The Bells
recorded in:
Hollywood, Los Angeles, California, United States (in 1968)
producer:
Rick Jarrard
bass:
Bob Kridle (in 1968)
drums (drum set):
George Newcom (in 1968)
guitar:
Steve Dowler (in 1968)
organ:
Paul Fauerso (in 1968)
saxophone:
Todd Anderson (saxophonist) (in 1968)
lead vocals:
Linda Tillery (AKA Sweet Linda Divine) (in 1968)
cover recording of:
The Bells (in 1968)
writer:
Rose Marks and Billy Ward (US r&b/soul vocalist)
The Loading Zone4:00
▼ CD 4: The Man Can't Bust Our Music
#TitleArtistRatingLength
1Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (on 1969-05-12)
vocals:
Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
Santana4.23:58
2Red the Sign Post
recorded in:
San Francisco, California, United States (in 1968)
producer:
Dan Healy
bass:
Terry Hansley (in 1968)
drums (drum set):
Kim Kimsey (in 1968)
electronic instruments [electronics]:
Cork Marcheschi (sculptor, electronics/percussion/bass performer) (in 1968)
guitar:
David Blossom (in 1968) and Larry Evans (guitarist) (in 1968)
lead vocals:
Nancy Blossom (in 1968)
recording of:
Red the Sign Post (in 1968)
writer:
David Blossom and Ted Roswicky
Fifty Foot Hose2:59
3Lemonaide Kid
recorded in:
Hollywood, Los Angeles, California, United States (in 1968)
producer:
Gary R. Grelecki and Kak (American psychedelic rock band)
bass:
Joseph Damrell (in 1968)
drums (drum set):
Christopher Lockheed (in 1968)
guitar:
Dehner Patten (in 1968) and Gary Lee Yoder (in 1968)
lead vocals:
Gary Lee Yoder (in 1968)
recording of:
Lemonaide Kid (in 1968)
writer:
Gary Lee Yoder
Kak5:53
41982-A
recorded in:
San Francisco, California, United States (in 1968-10)
producer:
David Schallock (bassist) and Bruce Walford
bass:
Al Strong (in 1968-10)
drums (drum set):
Bill Bowen (drummer in The Sons of Champlin and The Front Line, active starting in 1960s) (in 1968-10)
guitar:
Terry Haggerty (in 1968-10)
keyboard and lead vocals:
Bill Champlin (in 1968-10)
saxophone:
Tim Cain (in 1968-10) and Geoff Palmer (keyboardist/saxophonist for The Sons of Champlin) (in 1968-10)
vibraphone:
Geoff Palmer (keyboardist/saxophonist for The Sons of Champlin) (in 1968-10)
recording of:
1982-A (in 1968-10)
writer:
Steven Tollestrup
The Sons of Champlin3:55
5How Can I Miss You When You Won't Go Away
recorded in:
Los Angeles, California, United States (in 1969-01)
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass:
Jaime Leopold (in 1969-01)
drums (drum set):
Terry Wilson (drummer) (in 1969-01)
guitar:
Dan Hicks (in 1969-01) and John Weber (guitarist) (in 1969-01)
violin:
Sid Page (in 1969-01)
background vocals:
Tina Gancher (in 1969-01) and Sherry Snow (in 1969-01)
lead vocals:
Dan Hicks (in 1969-01)
recording of:
How Can I Miss You When You Won't Go Away (in 1969-01)
writer:
Dan Hicks
Dan Hicks and The Hot Licks2:39
6Amphetamine Gazelle
recorded in:
San Francisco, California, United States (in 1968)
bass and lead vocals:
Lawrence Hammond (in 1968)
drums (drum set):
Greg Dewey (in 1968)
guitar:
Rick Bockner (in 1968), Tom Manning (mixing engineer) (in 1968) and David Robinson (member Mad River) (in 1968)
background vocals:
Rick Bockner (in 1968) and Tom Manning (mixing engineer) (in 1968)
recording of:
Amphetamine Gazelle (in 1968)
writer:
Lawrence Hammond
Mad River2:55
7Quicksilver Girl
recorded in:
Los Angeles, California, United States (in 1968)
producer:
Glyn Johns and Steve Miller Band (American rock band)
bass:
Lonnie Turner (in 1968)
drums (drum set):
Tim Davis (US drummer for Steve Miller Band) (in 1968)
guitar:
Steve Miller (leader of Steve Miller Band) (in 1968) and Boz Scaggs (in 1968)
keyboard:
Jim Peterman (in 1968)
background vocals:
Tim Davis (US drummer for Steve Miller Band) (in 1968) and Boz Scaggs (in 1968)
lead vocals:
Steve Miller (leader of Steve Miller Band) (in 1968)
recording of:
Quicksilver Girl (in 1968)
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
Steve Miller Band42:47
8Revolution
recorded in:
San Francisco, California, United States (in 1968)
producer:
Ben Shapiro
bass:
Jance Garfat (in 1968)
drums (drum set):
George Rains (in 1968)
guitar:
Herbie Thomas (in 1968)
harmonica and background vocals:
Powell St. John (in 1968)
piano:
Wayne Talbot (in 1968)
saxophone:
Martin Fierro (in 1968)
lead vocals:
Tracy Nelson (country and blues singer) (in 1968)
recording of:
Revolution (in 1968)
writer:
Norman Martin and Jack O'Connell
Mother Earth3:04
9Murder in My Heart for the Judge
recorded in:
New York, New York, United States (in 1967-11)
producer:
David Rubinson
bass:
Bob Mosley (bass player from Moby Grape) (in 1967-11)
drums (drum set) and lead vocals:
Don Stevenson (Drummer, Moby Grape) (in 1967-11)
guitar:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-11), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-11) and Alexander “Skip” Spence (in 1967-11)
background vocals:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-11), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-11), Bob Mosley (bass player from Moby Grape) (in 1967-11) and Alexander “Skip” Spence (in 1967-11)
recording of:
Murder in My Heart for the Judge (in 1967-11)
writer:
Jerry Miller (US songwriter, guitarist & vocalist) and Don Stevenson (Drummer, Moby Grape)
Moby Grape2:58
10Light Your Windows
recorded in:
Los Angeles, California, United States (in 1968-01)
producer:
Nick Gravenites
bass and lead vocals:
David Freiberg (in 1968-01)
drums (drum set):
Greg Elmore (in 1968-01)
guitar:
John Cipollina (in 1968-01) and Gary Duncan (in 1968-01)
background vocals:
Gary Duncan (in 1968-01)
recording of:
Light Your Windows (in 1968-01)
writer:
Gary Duncan and David Freiberg
Quicksilver Messenger Service2:37
11I'm Drowning
recorded in:
San Francisco, California, United States (in 1968)
producer:
Flamin’ Groovies
bass:
George Alexander (bassist, member of The Flamin' Groovies) (in 1968)
drums (drum set):
Danny Mihm (in 1968)
guitar:
Cyril Jordan (in 1968) and Tim Lynch (in 1968)
lead vocals:
Roy Loney (in 1968)
recording of:
I'm Drowning (in 1968)
writer:
Roy Loney
Flamin’ Groovies2:10
12Portrait of the Artist as a Young Lady
recorded in:
Berkeley, California, United States (in 1969)
engineer:
Henry Lewy and Robert Di Sousa
producer:
Seatrain
bass:
Don Kretmar (in 1969)
drums (drum set):
Roy Blumenfeld (in 1969)
flute:
Andy Kulberg (in 1969)
guitar and lead vocals:
John Gregory (US guitarist vocalist for Seatrain/Mystery Trend) (in 1969)
violin and background vocals:
Richard Greene (US fiddler) (in 1969)
arranger:
Seatrain
phonographic copyright (℗) by:
Universal Music (plain logo: “Universal Music”) (in 1969)
recording of:
Portrait of the Lady as a Young Artist (in 1969)
lyricist:
Jim Roberts (US lyricist for Seatrain)
composer:
John Gregory (US guitarist vocalist for Seatrain/Mystery Trend) and Jim Roberts (US lyricist for Seatrain)
Seatrain3:52
13White Bird
recorded in:
Los Angeles, California, United States (in 1969)
producer:
David LaFlamme
bass:
Mitchell Holman (in 1969)
drums (drum set):
Val Fuentes (in 1969)
guitar:
Hal Wagenet (in 1969)
organ:
Linda LaFlamme (in 1969)
percussion:
Pattie Santos (in 1969)
violin and lead vocals:
David LaFlamme (in 1969)
vocals:
Pattie Santos (in 1969)
recording of:
White Bird (in 1969)
writer:
David LaFlamme and Linda LaFlamme
It’s a Beautiful Day56:11
14Dark Star (Single Version)
recorded in:
San Francisco, California, United States (in 1968)
producer:
Grateful Dead
bass:
Phil Lesh (in 1968)
drums (drum set):
Bill Kreutzmann (in 1968)
guitar:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1968) and Bob Weir (in 1968)
keyboard:
Tom Constanten (in 1968)
organ:
Ron “Pigpen” McKernan (in 1968)
percussion:
Mickey Hart (drummer for The Grateful Dead) (in 1968)
background vocals:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead) (in 1968), Phil Lesh (in 1968) and Bob Weir (in 1968)
lead vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1968)
arranger:
Grateful Dead
phonographic copyright (℗) by:
Grateful Dead Productions Inc. (in 1968)
recorded at:
Fillmore West in San Francisco, California, United States (in 1969)
recording of:
Dark Star (in 1968)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead), Mickey Hart (drummer for The Grateful Dead), Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan and Bob Weir
publisher:
Ice Nine Publishing Company, Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead52:45
15Fool (Single Version)
recorded in:
San Francisco, California, United States (in 1970)
producer:
Michael Sunday
bass:
Dickie Peterson (in 1970)
drums (drum set):
Norman Mayell (in 1970)
guitar:
Bruce Stephens (in 1970)
keyboard:
Ethan James (musician, record producer, and recording engineer) (in 1970)
lead vocals:
Gary Lee Yoder (in 1970)
recording of:
Fool (in 1970)
writer:
Gary R. Grelecki and Gary Lee Yoder
Blue Cheer2:56
16Mexico
recorded in:
San Francisco, California, United States (in 1970-02)
producer:
Jefferson Airplane
bass:
Jack Casady (in 1970-02)
drums (drum set):
Spencer Dryden (in 1970-02)
guitar:
Marty Balin (in 1970-02), Paul Kantner (in 1970-02) and Jorma Kaukonen (in 1970-02)
keyboard and lead vocals:
Grace Slick (in 1970-02)
membranophone:
Joey Covington
background vocals:
Marty Balin (in 1970-02) and Paul Kantner (in 1970-02)
vocals:
Marty Balin, Paul Kantner and Grace Slick
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
recording of:
Mexico (Jefferson Airplane song) (in 1970-02)
lyricist and composer:
Grace Slick
Jefferson Airplane2:13
17Mercedes Benz
recorded in:
Los Angeles, California, United States (on 1970-10-01)
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul A. Rothchild
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-10-01)
drums (drum set):
Clark Pierson (on 1970-10-01)
guest bongos and congas:
Bobbye Hall (on 1970-10-01)
guest tambourine:
Sandra Crouch (on 1970-10-01)
guitar:
John Till (rock guitarist) (on 1970-10-01)
organ:
Ken Pearson (on 1970-10-01)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-10-01)
background vocals:
Phil Badella (on 1970-10-01), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-10-01), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-10-01), John Cooke (on 1970-10-01), Janis Joplin (on 1970-10-01), Vince Mitchell (on 1970-10-01), Ken Pearson (on 1970-10-01), Clark Pierson (on 1970-10-01) and John Till (rock guitarist) (on 1970-10-01)
lead vocals:
Janis Joplin (on 1970-10-01)
performer:
Full Tilt Boogie (on 1970-10-01)
recording of:
Mercedes Benz (on 1970-10-01)
writer:
Janis Joplin, Michael McClure and Bob Neuwirth
Janis Joplin3.351:49
18Get Together
recorded in:
New York, New York, United States (in 1966-11)
producer:
Felix Pappalardi
bass and lead vocals:
Jesse Colin Young (in 1966-11)
drums (drum set):
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
guitar and background vocals:
Jerry Corbitt (in 1966-11) and Lowell Levinger (in 1966-11)
keyboard:
Lowell Levinger (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
lyricist and composer:
Chet Powers
publisher:
Irving Music (BMI) and Irving Music, Inc.
The Youngbloods3.754:37

Credits

Release

printed in:United States
art direction:Hugh Brown (US art director and photographer)
Steve Vance
photography:Ann Ehret
Herb Greene (U.S. Photographer and art director)
Paul Kagan
Yoram Kahana
Lisa Law (American photographer and filmmaker)
Don Leeper
Ann Markell
Jim Marshall (photographer)
Michael Howard (photographer)
Michael Rachoff
Ethan Russell
Bruce Steinberg
Ed Thrasher (US art director & photographer)
liner notes:Ben Fong-Torres
Alec Palao
Gene Sculatti
producer:Alec Palao
remastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
Dave Schultz
design:Prairie Prince
Steve Vance
manufactured by and marketed by:Rhino Entertainment Company (not for release label use!)
copyrighted (©) by and phonographic copyright (℗) by:Rhino Entertainment Company (not for release label use!) (in 2007)
licensed from:EMI Music Special Markets
Sony BMG Custom Marketing Group
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
remastered at:DigiPrep Mastering in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/1970902 [info]
ASIN:US: B000PHX0VE [info]

Release group

part of:Nuggets (number: 19) (order: 9)
Discogs:https://www.discogs.com/master/1940934 [info]
Allmusic:https://www.allmusic.com/album/mw0000485085 [info]